Tag Archive | watercolour

A pair of old watercolours

One of my charity shop finds last year was this pair of watercolours in their basic wooden frames.

I’d love to know a bit more about them. They are crudely done, and are not signed. I wonder if they belonged to some countryman, maybe a farmer: a portrait of him and his fine and faithful hounds. I had thought that the fashion of the man’s clothing and the type of gun might help me date the paintings, which are clearly a pair, but … apparently the fashions of country people back in the eighteenth and nineteenth centuries often lagged quite a few years behind city fashions. This is perhaps partly due to financial constraints, and also largely due to opportunities to buy new clothes being few and far between in the days before easy transport, plus even the dissemination of fashionable new ideas for local seamstresses to copy took much longer. So wearing decades-old clothes was not unheard of, and likewise the expense of buying a new gun might mean that a perfectly serviceable old one was carried on in use for years.

I’m not a fan of bloodsports in any way, shape or form, so like to tell myself that this gentleman was shooting for his pot.

I’m getting a very late eighteenth or early nineteenth century vibe off the paintings … but what do I know? If you have any ideas, I’d love to hear!

John Ruskin

I have long loved the art of John Ruskin (1819-1900). I was given a card in the 1970s with a reproduction of one of his watercolours, and I still have it. It’s a study of a peacock breast feather, held in the Collection of the Guild of St George, Museums Sheffield.

John Ruskin. Study of a Peacock's Breast Feather. 1875. Watercolour, 22.3 x 14.7 cm.

John Ruskin. Study of a Peacock’s Breast Feather. 1875, watercolour, 22.3 x 14.7 cm.

This first got me interested in his art, especially his stunning watercolours (click on all pics to make bigger):

John Ruskin. Rocks and Ferns in a Wood at Crossmount. 1847. Perthshire. Pencil, ink, watercolour and bodycolour, 32.3 x 46.5 cm

John Ruskin. Rocks and Ferns in a Wood at Crossmount, Perthshire. 1847, pencil, ink, watercolour and bodycolour, 32.3 x 46.5 cm.

John Ruskin. The Garden of San Miniato near Florence. 1845, watercolour on paper.

John Ruskin. The Garden of San Miniato near Florence. 1845, watercolour on paper.

John Ruskin. Mountain Rock and Alpine Rose. 1844-1849, pencil, ink, chalk, watercolour and bodycolour, 29.8 x 41.4 cm.

John Ruskin. Mountain Rock and Alpine Rose. 1844-1849, pencil, ink, chalk, watercolour and bodycolour, 29.8 x 41.4 cm.

John Ruskin. Part of the Façade, San Michele, Lucca. 1845, pencil and watercolour on pale cream paper, 33 x 23.3 cm.

John Ruskin. Part of the Façade, San Michele, Lucca. 1845, pencil and watercolour on pale cream paper, 33 x 23.3 cm.

John Ruskin. The Chateau of Neuchatel at dusk, with Jura mountains beyond. 1866, pencil and watercolour, 13.3 x 21 cm.

John Ruskin. The Chateau of Neuchatel at dusk, with Jura mountains beyond. 1866, pencil and watercolour, 13.3 x 21 cm.

John Ruskin. Coast Scene near Dunbar. 1847, pencil and watercolour, 32.5 x 47.5 cm.

John Ruskin. Coast Scene near Dunbar. 1847, pencil and watercolour, 32.5 x 47.5 cm.

The Casa d'Oro, Venice. 1845, pencil and watercolour, with bodycolour, 33 x 47.6 cm.

John Ruskin. The Casa d’Oro, Venice. 1845, pencil and watercolour, with bodycolour, 33 x 47.6 cm.

John Ruskin. Study of a peacock feather and another feather.

John Ruskin. Study of a peacock feather and another feather.

Ruskin was particularly fond of painting peacock feathers. In 1875 he wrote, ‘I’ve to draw a peacock’s breast-feather, and paint as much of it as I can without having heaven to dip my brush in.’

I wanted to get some postcards printed for my Etsy shop – my first attempt at branding – and needed an image. My photography doesn’t stand up to close scrutiny, so in the end I thought I’d just choose an image I love, and that was available for free use. It meant that my postcards wouldn’t reflect what I sell in my shop – probably a huge no-no when it comes to branding, but I’d rather have a lovely picture rather than a crappy one I took of some of my beautiful vintage jewellery. The image I settled on is one Ruskin painted of a kingfisher.

John Ruskin. Kingfisher.

John Ruskin. Kingfisher. 1870-1871, pencil, ink, watercolour and bodycolour, 25.8 × 21.8 cm.

If you would like to know more about John Ruskin – he was so much more than just an artist – his Wikipedia page has much information and many links to more. Also, this blog is an interesting place to start.