Tag Archive | Liberty & Co.

A Jessie M King necklace

Last Sunday the Antiques Roadshow came from RAF Coningsby. It was filmed earlier this summer. One of the items featured was a beautiful Arts and Crafts fringe necklace in its original Liberty case, owned by a very lucky young lady. It features moonstones and baroque pearls, with decorative leaves picked out in blue-green enamel.

Arts and Crafts fringe necklace, c. 1905, in its original Liberty case. I am sure this is designed by Jessie M King.

Arts and Crafts fringe necklace, c. 1905, in its original Liberty case. I am sure this is designed by Jessie M King.

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The expert, John Benjamin, dated it from about 1905, that the blue-green were little blobs of glass set on gold (ie vitreous enamel), and called the pearls blister pearls. He said blister pearls are ‘mis-shapen white pearls, natural pearls’. My understanding (probably incorrect) is that blister pearls are those half-formed things caught under the nacreous skin of the oyster shell, whereas pearls proper, both regularly-shaped and irregularly-shaped, are free within the shell. I am more used to seeing pearls like these — irregularly-shaped proper ‘free’ pearls — described as baroque pearls. He did not attribute a designer and valued it at £3,000.

I think this necklace positively screams out Jessie M King. It’s her style, her colour palette — everything about it suggests it is her design. Jessie’s pieces were usually made with semiprecious stones, and enamel, and she used the enamelled leaf motif extensively.

Jessie M King enamel and blister pearl pendant. The drop is a later replacement, and would originally have been a baroque pearl. The motif is the same as on the necklace above. Sold by HomeFarmCottage on Etsy.

Jessie M King. Opal, peridot, baroque pearl and enamel necklace, c. 1900. Sold by Van den Bosch..

Jessie M King. Opal, peridot, baroque pearl and enamel necklace, c. 1900. Sold by Van den Bosch.

Detail.

Jessie M King. Opal, peridot, baroque pearl and enamel necklace, c. 1900. Sold by Van den Bosch. Detail.

Jessie M King brooch design for Liberty & Co. Gold, moonstone and enamel. Liberty model number 1800. Sold by Tadema Gallery.

Jessie M King brooch design for Liberty & Co. Gold, moonstone and enamel. Liberty model number 1800. Sold by Tadema Gallery.

Jessie M King design for Liberty & Co. Gold, sapphire, moonstone and green enamel necklace. Sold by Van Den Bosch.

Jessie M King design for Liberty & Co. Gold, sapphire, moonstone and green enamel necklace. Sold by Van Den Bosch.

Jessie M King. Moonstone and enamel necklace.

Jessie M King design for Liberty & Co. Moonstone and enamel necklace. Sold by Van den Bosch.

Jessie M. King for Liberty & Co. Ring, gold, silver, enamel and chrysoprase. Sold by Tadema Gallery.

Jessie M. King for Liberty & Co. Ring, gold, silver, enamel and chrysoprase. Sold by Tadema Gallery.

Jessie M King for Liberty & Co. A silver and gold necklace set with moonstones within borders of blue/green enamelled leaves surrounded by gold wire wirework and gold florets. The silver chain with a gold clasp. British. Circa 1900. Size: Height of drop pendant only 4.4 cm. Width 2 cm. Width across three moonstones 11 cm. Total length around necklace 41 cm. Sold by Van den Bosch.

Jessie M King for Liberty & Co. A silver and gold necklace set with moonstones within borders of blue/green enamelled leaves surrounded by gold wire wirework and gold florets. The silver chain with a gold clasp. British. Circa 1900. Size: Height of drop pendant only 4.4 cm. Width 2 cm. Width across three moonstones 11 cm. Total length around necklace 41 cm. Sold by Van den Bosch.

Sold by Van den Bosch.

Jessie M King for Liberty & Co. Turquoise and enamel necklace. Sold by Van den Bosch.

Sold by Tadema Gallery.

Jessie M King for Liberty & Co. Moonstone and enamel brooch. Sold by Tadema Gallery.

The programme is available on the BBC iPlayer, and the segment runs from 21:00 – 24:07.

I wrote a blog post about Jessie’s jewellery designs a while ago. It has more detail of the life of this fascinating and multi-talented Scottish artist.

Jessie M King, Arts and Crafts jewellery designer

Jessie Marion King (1875—1949) was a Scottish designer and illustrator. She is perhaps best known for her work as a book illustrator, mostly of children’s books, but her many and varied skills included bookbinding, the decoration of ceramics and tiles, and book cover, wallpaper, textile and jewellery design. I love her jewellery designs so decided to write a short piece about her: her Wikipedia page focuses solely on her book illustrating career so I thought I’d try to fill the gap a little. If you want to know more about her book illustrations, here is a good starting point. But I am here for the jewels!

Jessie M King by J. Craig Annan (autochrome, 1908).

Jessie M King by James Craig Annan (autochrome, 1908).

Jessie enjoyed a successful career teaching and illustrating books and book covers, but as multi-talented and artistic people are often wont to do, she worked just as successfully in several other disciplines. From what I can gather, she first worked for Liberty in the very early 1900s designing wallpaper and fabrics, with commissions to design jewellery and silverwork for Liberty’s Cymric range following soon afterwards. She designed the jewellery but did not make it – that was undertaken by jewellers employed by Liberty.

Jessie’s jewellery designs can be broadly split into two types: pieces made with silver and enamel, often in quite large panels, only very occasionally with a freshwater pearl dangle, and generally more “Art Nouveauy” in feel:

Jessie M King design: silver and enamel pendant necklace and chain, dating from 1905. Made for Liberty & Co, its design is in the Liberty Pattern Book, no 8809. In the collections of the National Museums of Scotland.

Jessie M King design: silver and enamel pendant necklace and chain, dating from 1905. Made for Liberty & Co, its design is in the Liberty Pattern Book, model 8809. In the collections of the National Museums of Scotland.

Pendant necklace of silver, enamel and mother of pearl, designed by Jessie Marion King for Liberty & Co, 1904-1906. Collection of Cheltenham Art Gallery & Museum, UK.

Pendant necklace of silver, enamel and mother of pearl, designed by Jessie M King for Liberty & Co, 1904-1906. Collection of Cheltenham Art Gallery & Museum, UK.

Silver andenamel buckle, designed by Jessie M King for Liberty & Co.

Silver and enamel buckle, designed by Jessie M King for Liberty & Co.

and those made with precious metals (often just gold, or gold with silver, or just silver), precious and semi-precious stones and/or pearls, and only small areas of enamel detailing, which are generally more “Arts and Craftsy” in feel:

Jessie M King brooch design for Liberty & Co. Gold, moonstone and enamel. Liberty model number 1800. Sold by Tadema Gallery.

Jessie M King design for Liberty & Co. Gold, moonstone and enamel brooch. Liberty model number 1800. Sold by Tadema Gallery.

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Jessie M King design for Liberty & Co. Gold, silver, enamel and chrysoprase ring. Sold by Tadema Gallery.

Jessie M King enamel and blister pearl pendant. The drop is a later replacement. Sold by HomeFarmCottage on Etsy.

Jessie M King design for Liberty & Co. Gold, sapphire, moonstone and green enamel necklace. Sold by Van Den Bosch.

Jessie M King design for Liberty & Co. Gold, sapphire, moonstone and green enamel necklace. Sold by Van Den Bosch.

Jessie Marion King for Liberty & Co. Gold, enamel and amethyst pendant, c. 1900. H: 5.5 cm (2.17 in) W: 2.2 cm (0.87 in) British, c.1900 Fitted Case Minor repair to enamel Literature: cf. Liberty Jewellery sketch-book, page 290 Model number: 8603

Jessie M King design for Liberty & Co. Gold, enamel and amethyst pendant. Liberty model number 8603. Sold by Tadema Gallery. Shows both of her common enamel motifs, the bud and the ‘lily of the valley’/three pointed flower.

Jessie M King for Liberty & Co. Silver pearl and enamel pendant. Liberty model number 9257. Sold by Tadema Gallery.

Jessie M King for Liberty & Co. Silver, pearl and enamel pendant. Liberty model number 9257. Sold by Tadema Gallery.

Jessie M King moonstone and enamel necklace, for sale at Tennants Auctions.

Jessie M King (attrib). Silver, citrine and enamel pendant. For sale at VictoriaSterling at Etsy (click on photo for details).

Jessie M King design (attrib). Silver, citrine and enamel pendant. For sale at VictoriaSterling at Etsy (click on photo for details).

Jessie M King for Liberty & Co. Moonstone, enamel and silver pendant. Sold at Tadema Gallery.

Jessie M King design for Liberty & Co. Moonstone, enamel and silver pendant. Sold at Tadema Gallery.

Jessie M King design for Liberty & Co. A Glasgow School gold and sapphire necklace, Liberty pattern Book model 8498. Sold by Van Den Bosch.

Jessie M King design for Liberty & Co. A Glasgow School gold and sapphire necklace, Liberty Pattern Book model 8498. Sold by Van Den Bosch.

Her colour palette is overwhelmingly blue, green and purple. I have to add this is my personal take on her jewellery and I am no expert!

The Liberty Pattern Book holds many of her original designs, each one numbered.

Some of Jessie M King's jewellery designs in the Liberty book.

Some of Jessie M King’s jewellery designs in the Liberty Pattern Book, with model number. Pattern 8605 (bottom right of the drawings) is shown in its realised form below.

Jessie M King design for Liberty & Co. Gold, amethyst and enamel pendant. Liberty Pattern Book 8605.

Jessie M King design for Liberty & Co. Gold, amethyst and enamel pendant. Liberty Pattern Book model 8605, shown above.

UPDATE 10 November 2015: Last Sunday’s Antiques Roadshow featured a necklace that I am 100% certain was designed by Jessie, although it was not identified as such. I grabbed a few screenshots and wrote a blog post on the necklace, with illustrations of other, similar design by Jessie.

A brief biography:

Jessie was born in New Kilpatrick, near Bearsden in Dunbartonshire, and studied at the Glasgow School of Art from 1892. Here she was influenced by, and later herself influenced the world famous Glasgow Style, a development of Art Nouveau and Arts and Crafts movements. While at the School she was a member of what was later known as the “Glasgow Girls” group of female artists, and met and formed lifelong friendships with artists such as Helen Paxton Brown and Mary Thew.

Jessie was an award-winning student, and in 1899, the same year that she graduated, she was appointed Tutor in Book Decoration and Design at the School of Art, where she continued to teach until 1908. Her first commissions were for book covers, with book illustrations following in 1902, and it was around 1904 that she started to design fabrics for the famous firm of Liberty & Co. of London and just a little later jewellery, also for Liberty.

She embarked on a study tour of Italy and Germany in 1902, and the next year became a committee member of the Glasgow Society of Artists. In 1905 she joined the Glasgow Society of Lady Artists. Her first solo exhibitions were at the Bruton Street Gallery in London in 1905 and at the studio of T and R Annan (Annan’s Gallery) in Sauchiehall Street, Glasgow, in 1907.

Glasgow School of Art, designed by Charles Rennie Mackintosh. Photo by Ad Meskens.

Glasgow School of Art, designed by Charles Rennie Mackintosh. Photo by Ad Meskens.

After a ten year engagement, in September 1909 Jessie married the artist E A (Ernest Archibald) Taylor, and moved with him to Salford where he worked designing for the firm of George Wragge Ltd. Here their only child, Merle Elspeth, was born. The family moved to Paris in 1910, again for Ernest’s career as he had gained a teaching position at Ernest Percyval Tudor-Hart’s studios. In 1911 Jessie and Ernest set up their own art teaching school, the Shealing Atelier. While in Paris Jessie met and was influenced by artists including Henri Matisse, Marie LaurencinThéophile SteinlenJohn Duncan Fergusson, and Samuel Peploe; she also learned the art of batik. The couple ran summer schools on the Isle of Arran in Scotland.

The progress of World War I meant that Jessie and her family had to return to Scotland in 1915, and they settled in Kirkcudbright, at Greengate, a house on the High Street Jessie had bought in 1907 before she was married, and where she was to live for the rest of her life.

Jessie M King and E A's house, Greengate, in Kircudbright. The entrance to the 'Greengate Close' is through the open gate on the right.

Jessie M King and E A Taylor’s house, Greengate, in Kirkcudbright. The entrance to the ‘Greengate Close’ is through the open gate on the right.

Jessie and Ernest gathered artists around them, and an artists’ colony known as the “Greengate Close Coterie” became established in the cottages along an alley behind their home. Friends and visiting artists would stay, sometimes for extended periods, and “according to Robert Burns, of Edinburgh College of Art, no student’s training was complete without a stay in one of the cottages at their home, Greengate.” The cottages in the Close were known by the colour of their front doors.

Jessie was an eccentric character. She dressed flamboyantly, with a fondness for wide-brimmed hats and buckled shoes, long after these had gone out of fashion. One woman, recalling her childhood in Kirkcudbright, remembered Jessie “riding through the streets on her bicycle … We all thought she was a witch!”. Jessie believed that she had second sight, and had been strongly influenced by Mary McNab (d. 1938), her devoted Gaelic-speaking nursemaid and later housekeeper who possessed a wealth of folk tales. Jessie was so connected with Mary that her ashes were scattered on Mary’s grave. 

By the way, if you want a Greengate Close Coterie holiday, the house in which Jessie and Ernest lived in Kirkcudbright is now a B&B.

Portraits of Jessie:

Jessie M King.

Jessie M King.

Jessie M King.

Jessie M King.

Jessie M King painted by her husband E A Taylor. Undated.

Jessie M King painted by her husband E A Taylor. Undated.

Jessie M King.

Jessie M King.

Jessie M King by James Craig Annan.

Jessie M King by James Craig Annan.

Jessie M King by Ernest Archibald Taylor.

Jessie M King by Ernest Archibald Taylor.

Portriat of Jessie M King by Helen Paxton Brown, undated. In the collections of the national Portrait Gallery of Scotland.

Portrait of Jessie M King by Helen Paxton Brown, undated. In the collections of the National Portrait Gallery of Scotland.

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Portrait of Jessie M King by Helen Paxton Brown, undated. In the collections of the National Portrait Gallery of Scotland.

Jessie M King by Lena Alexander. (c) Dumfries and Galloway Council (Kirkcudbright); Supplied by The Public Catalogue Foundation

Jessie M King by Lena Alexander. (c) Dumfries and Galloway Council (Kirkcudbright); Supplied by The Public Catalogue Foundation

Jessie M King.

Jessie M King.

Sources: Jewelry and Metalwork in the Arts and Crafts Tradition by Elyse Zorn Karlin, 1993, 139-140; Oxford Dictionary of National Biography entry for Jessie Marion King by Jan Marsh; Jessie M King entry in the ExploreArt at Gracefield Arts Centre website; Jessie Marion King entry in Artists in Britain Since 1945—Chapter K by the Goldmark Gallery; the Jessie Marion King Papers at the University of Glasgow; Jessie Marion King entry in In the Artists’ Footsteps; Jessie M King page on Wikipedia.

This great blog has lots of photographs of Jessie’s illustrations, book covers, painted pottery and other artworks.

Further reading: The Enchanted World of Jessie M King by Colin White, Canongate Publishing Limited, 1989; Jessie M. King and E. A. Taylor: Illustrator and Designer. Sotheby’s Sale of 21 June 1977 at the Charles Rennie Mackintosh Society. Glasgow: Sotheby’s Begravia, 1977. No. 169; Glasgow Style by Gerald and Celia Larner, Paul Harris Publishing, Edinburgh, 1979; Glasgow Girls: Women in Art and Design 1880—1920 edited by Jude Burkhauser, Canongate, Edinburgh, 1990; Tales of the Kirkcudbright Artists by Haig Gordon, Galloway Publishing, Kirkcudbright, 2006; Glasgow Girls: Artists and Designers 18901930 by Liz Arthur, Kirkcudbright, 2010.

Arts and Crafts pewter

Pewter is a silvery metal alloy, a favourite metal of Arts and Crafts metalworkers and jewellers. I have learned from Wikipedia that it is ‘traditionally 85—99% tin, with the remainder consisting of copper, antimony, bismuth and sometimes, less commonly today, lead. Silver is also sometimes used.’ It tarnishes to a dullish grey, and this patinated appearance is often favoured by collectors. If desired, it can be polished to a high silvery shine.

Archibald Knox (designer): Tudric pewter vase with enamelled medallions, for Liberty & Co. Photo by charlesjsharp.

Archibald Knox (designer): Arts and Crafts ‘Tudric’ pewter vase with enamelled medallions, for Liberty & Co. Photo by charlesjsharp.

I have a few pewter objects in my Etsy shop at the moment: three date from the Arts and Crafts period, ie roughly from the 1890s into the early 1900s. and one is very modern, made in the Orkney Islands in the far north of Scotland, but based on a design similar to those of Charles Rennie Mackintosh, one of the most famous Arts and Crafts architects and artists. Originating in the UK, the Arts and Crafts movement put great stead on traditional workmanship, on authenticity and on hand-crafted wares, and on affordable materials—all of which pewter suited perfectly, having been the main metal used for household wares for everyday people for centuries in the UK.

The first piece I listed in my Etsy shop was a shallow Arts and Crafts pewter dish with a flowing fleur-de-lys design. The upper part of the dish is in pewter and it is formed over a white metal base. It would look great as a table centrepiece filled with nuts or tangerines or big bunches of purple grapes—whatever you fancy, really.

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Shallow Arts and Crafts pewter dish with fleur-de-lys decoration. For sale in my Etsy shop. (NOW SOLD).

The second is also an Arts and Crafts piece – it originally would have been a cigarette box but would serve as a lovely jewellery or trinket box today. The pewter has the hand-hammered finish that is so typical of Arts and Crafts work. It has been polished by a previous owner so has more of a silvery shine than the other pewter pieces I have.

Arts adn Crafts hammered pewter jewellery box / cigarette box / trinket box. For sale at my Etsy shop.

Arts and Crafts hand-hammered pewter jewellery box / cigarette box / trinket box. For sale at my Etsy shop. (NOW SOLD).

The third piece is also a hand-hammered item – a hip flask cunningly shaped to fit the curve of your buttock as it is carried in a back pocket. (I always think it was a bit of that insane Victorian prudery that caused it to be called a hip flask, when a bottom flask would have been a much more appropriate name!) It is marked ‘English pewter’, and originally carried 4 oz of whatever liquid you wanted to fill it with. The piece has had a life, as witnessed by the dints in the soft metal, but I think this is part of its charm. I love a piece that can tell a tale.

Hand-hammered English pewter hip flask, Arts and Crafts period.

Hand-hammered English pewter hip flask, Arts and Crafts period. For sale in my Etsy shop. (NOW SOLD).

The last pewter piece I have is a modern brooch, in the Arts and Crafts style of famed architect and artist Charles Rennie Mackintosh. It is made by the Ortak company, based in the Orkney Islands off the far north coast of Scotland.

Ortak pewter brooch, in the style of Charles Rennie Mackintosh, and featuring a Glasgow Rose.

Ortak pewter brooch, in the style of Charles Rennie Mackintosh, and featuring a Glasgow Rose. For sale in my Etsy shop. (NOW SOLD).

It features the famous Glasgow Rose, a stylised rose flower made famous by the artists of the Glasgow School of Art, where Mackintosh trained. After going into administration last year, the Ortak company has been bought by new owners and will be relaunched, with manufacturing resuming in Orkney.