Tag Archive | Finnish design

Hannu Ikonen reindeer moss jewellery

Every now and then I come across a jewellery designer who is pretty much ‘invisible’ online (I don’t have a fabulous library of books on jewellery, sadly, so google is my source). This was the case with Finnish designer Liisa Vitali (about whom I was at least able to cobble together a post of sorts), and is in fact much more so the case with her compatriot Hannu Ikonen. I have no doubt this is due in part to the majority of sources being in Finnish, but information about him is nigh-on absent online. I have come across the same small paragraph about him, endlessly repeated on different websites selling his pieces, but with no biographical details or detailed information about his jewellery designs.

Turning to google books, all I could find was a publication from 1982, titled Welcome to Finland / Soyez Les Bienvenus en FinlandeWillkommen in Finland by Anders Nyborg and published by the University of Michigan. And even then, I was only able to see a snippet: as the texts in the three languages were side by side I was able to glean that Ikonen was then considered a rising star, and had worked in wood and precious metals for ten years (ie since the early 1970s), and that he was self-taught. I have googled vainly to try to find out more about him, even simple things like his date and place of birth, where he worked and so on, but with no joy. I do not know if he is still alive. I do hope so. I am guessing that perhaps he is/was a sculptor if he worked in wood as well as metals, and this would explain the fabulously sculptural qualities of his ‘reindeer moss’ series of jewellery.

Sterling silver reindeer moss bracelet by Hannu Ikonen, with a 1977 hallmark. For sale in my Etsy shop, Inglenookery: click on photos for details.

I recently acquired my first piece of Hannu Ikonen’s jewellery in the reindeer moss series. This series is usually found in bronze, with sterling silver pieces coming up for sale more rarely. Ikonen designed for Valo-Koru, a Finnish jewellery firm that operated in Turku from 1969 onwards.

Reindeer moss is a misnomer, as it is a lichen of the genus Cladonia (cup lichen) rather than a moss. The lichens in this genus are the main food of reindeer (Rangifer tarandus, known as caribou in North America).

Cladonia fimbriata. Photo by Mareike Hummert on Wikimedia Commons.

Cladonia fimbriata. Photo by James Lindsey on Wikimedia Commons.

In making the reindeer moss series, Hannu Ikonen joined an illustrious group of Finnish designers inspired by nature and the natural beauty around them. Search on Google images for ‘Hannu Ikonen reindeer moss’ to see the glorious range of his designs.

Rings that remind me of things: Part 19

Part 19 of an occasional series about rings in my Etsy shop that remind me of things.

Ring:

Kupittaan Kulta trapped carnelian orb ring. For sale in my Etsy shop: click on photo for details. I also have a chrysoprase (green chalcedony) ring in this design.

Thing:

Clackers, a much-beloved then banned playground toy of the late 60s/early 70s. Photo by Santishek, Wikimedia Commons.

So far I have had rings that remind me of an Iron Age hillfortan alien spaceshipa cream horna radio telescopeNoah’s Arkan octopus tentaclespider eyesPluto and its moon Charonthe rings of SaturnThe Starry Night by Vincent Van Goghsome lichenthe stepped Pyramid of Djoser at Saqqara in Egypt, the Quality Street ladya herb knifea sea anemonean Iron Age miniature votive shieldthe Mayan Temple of Kukulkan at Chichén Itzá, Mexico, and a screw propeller from SS ‘Great Britain’.

Liisa Vitali

Liisa Vitali (born in Helsinki, Finland on 9 November 1918, died on her 69th birthday, 9 November 1987) was a Finnish jewellery designer and maker known for her modernist designs that were often drawn from nature. Her jewellery series include the ‘Ladybird’, ‘Lace’, ‘Gardenia’ and ‘Cat’s paw’ designs.

Liisa Vitali.

Liisa Vitali Pitsi (‘Lace’) bracelet, 1973, in sterling silver. For sale in my Etsy shop: click on photo for details.

Liisa’s family moved to a farm at Viluksela, a small village in the municipality of Somero in southern Finland, in 1920. After the death of her parents, Liisa and her brother Väinö continued to look after the farm. Liisa had long been interested in jewellery design, winning a school competition with a jewellery set that she had made.

Liisa Vitali. Love how her blouse matches her jewellery!

Some of Liisa Vitali’s designs, including Pitsi (‘Lace’) in the main panel, Leppäkerttu ja iso kivi (‘Ladybird and big stone’) top right, Nuppu (‘Bud’) middle right, and Muurahaisenpolku (‘Ant’s path’ or ‘Ant trail’) bottom right.

1971 Liisa Vitali ‘Ladybird’ sterling silver ring with trapped carnelian orb. For sale in my Etsy shop: click on photo for details (NOW SOLD).

As I don’t read Finnish I have found it hard to piece together much more about Liisa’s life: there appear to be conflicting reports of her training, or lack thereof, and which jewellers she may or may not have worked with.

I have read that she started making jewellery to sell in the 1950s, self-taught and working from a home workshop on a small scale in between her farming duties; that she started her career in jewellery-making working for jeweller Kaija Aarikka; that she trained for a short time alongside the great designer Tapio Wirkkala at the Nestor Westerback workshop; that at first her designs were only available from her workshop on the farm, and from Kaija Aarikka’s shop.

Vitali’s designs were manufactured by various companies, including Aatos Hauli, Mauri Sarparanta, Nestor Westerback Ky, and Kultakeskus.

1960s advert for Liisa Vitali’s jewellery.

Some of Liisa Vitali’s designs, including examples of  Pitsi (‘Lace’), Leppäkerttu ja iso kivi (‘Ladybird and big stone’), Nuppu (‘Bud’), and Muurahaisenpolku (‘Ant trail’).

Perhaps her most famous designs are the Leppäkerttu ja iso kivi (‘Ladybird and big stone’, ‘Ladybird’ or ‘Ladybug’) and Pitsi (‘Lace’) series. These are visually very similar, with circular cut-outs in sheet silver or less commonly gold, forming a lacy, holey effect. She also used the lacy cut-outs in her Nuppu (‘Bud’) and Muurahaisenpolku (‘Ant trail’) series. Her love of the natural world is clear in her jewellery, and the inspiration it provided her with can be seen in the names she chose for her various series.

Liisa Vitali.

During her life, Vitali’s work was highly thought-of, and was exported around the world. Apparently Princess Margaret was a fan. Following her death and changing fashions, it fell out of vogue for a while. In 2009 Kultakeskus Oy began to remanufacture Vitali’s designs, bringing them to a whole new audience.

Some named designs by Liisa Vitali:

Ampiaisenpesä (‘Beehive’)

Gardenia (‘Gardenia’)

Kesäheinä (‘Summer hay’)

Kevät (‘Spring’)

Kissantassujen (‘Cat’s paws’)

Leinikki (‘Buttercup’)

Lemmenkukka

Leppäkerttu, Leppäkerttu ja iso kivi (‘Ladybird’, ‘Ladybird and big stone’, ‘Ladybug’)

Muurahaisenpolku (‘Ant trail’)

Nuppu (‘Bud’ or ‘flowerbud’)

Nyöri (‘Cordon’)

Pitsi (‘Lace’)

Ruusu (‘Rose’)

Tuulenpesä (‘The wind’s nest’)

Villiviini (‘Wild wine’)

Further reading:

Leeni Tiirakari 2012, Design Liisa Vitali, Amanita. Available from a Finnish online bookseller.