Tag Archive | English Heritage

The shell grotto at St Giles House

One of the nominations for the recent prestigious Historic England Angel Awards was for the craftsmanship in the restoration of the shell grotto at St Giles House near Wimborne St Giles in Dorset. Chap and I were very disappointed when it didn’t win – we thought it deserved the title, but then again, we are a little biased as we know the team from Sally Strachey Conservation that undertook the work.

The grotto is featured in the video above, from 2:10 onwards.

The grotto was built in the grounds of St Giles House, the family seat of the Earls of Shaftesbury. It dates from the early 1750s, and was built by John Castles (d. 1757) of Marylebone in London. Unlike some other grottoes, this one is free-standing rather than built into a rock face or hill slope, and is built over a springhead in the grounds. It is now safely roofed once more and even though it is not quite ordinary-looking from the outside, nothing prepares you for the fantastical realm within.

The grotto comprises an entranceway leading to a central room – the inner chamber – with tiled floor and a fireplace. This is flanked on either side by a curving side passage.

The main room is described in the Shell Guide to Dorset by Michael Pitt-Rivers (1966) as ‘an attempt at an underwater room rather than just a shell room’, and you certainly get the sense of being in some mysterious and magical undersea kingdom. The decoration comprises shells of all sorts of kinds, sizes and colours – huge conches are fixed to the walls as well as tiny jewel-like bivalves – and the marine effect is heightened by the clever way corals and sparkling mineral crystals, such as quartz, have been incorporated in the decor, as well as the way the shells have been attached to branches to mimic life in a coral garden. (You wouldn’t know there are branches under there, as they have been fully covered).

The main chamber of the shell grotto at Wimborne St Giles. Photo by SPAB.

The main chamber of the shell grotto at Wimborne St Giles, following the recent restoration work. Photo by SPAB.

Old photo of the grotto used by the conservators as a guide.

Old photo of the grotto before it fell into disrepair, used by the conservators as a guide.

Apparently some of the original shells came from the Caribbean, courtesy of the father of William Beckford of Fonthill Abbey: we know Fonthill and its grottoes well. In the restoration many of the shells had fallen from the walls and part of the work included sifting and storing those that could be saved. Replacement shells were sourced from all over, including eBay and beaches!

Repair work under way, rebuilding the shells on to the lath and plaster work.

Conservation work under way, rebuilding the shells on to the lath and plaster work.

Conservation work underway.

Conservation work under way. Photo by Sally Strachey Conservation.

Photo by Sally Strachey Conservation.

The main chamber after the completion of the conservation project. Photo by Sally Strachey Conservation.

We were impressed with how meticulous and intricate the work was, and the great care that was being taken by the team.

The side passages are mainly decorated with huge, knobbly flint nodules, though hiding in amongst these are the occasional whale vertebra and piece of architectural stone. The floors of the passages are set with smaller flint pebbles, much like the wonderful grotto at Stourhead and the much smaller one at the Larmer Tree Gardens.

The grotto is described as ‘recently restored’ in the 1966 Shell Guide; clearly it fell back into disrepair not long afterwards as by the time of its listing by English Heritage in 1986 it is described as ‘overgrown and in a state of dereliction … The main grotto which cannot now be easily entered has walls lined with shells, fossils, coral and stone mounted on a lathe and plaster vault, partially collapsed … An important example of this type of grotto but now in a state of considerable disrepair.’ It was placed on the English Heritage Buildings at Risk Register, and its fate looked bleak.

However, in the past few years the present Earl of Shaftesbury instigated a sizeable programme of works to save not just the grotto, but St Giles House itself, which was also on the Register. The work was largely funded by various government bodies. The work done on the house won the Earl and Countess of Shaftesbury the Award for the Best Rescue of Any Other Type of Historic Building or Site at the recent Angel Awards.

Repairing the roof.

Repairing the roof of the grotto.

Huge congratulations to everyone involved in the work, both at the grotto and St Giles House, both of which are now firmly off the Register.

If you want to know more about John Castles’ grotto work, this blog post is an interesting place to start.

Further information and reading

The English Heritage Grade 2* listing of the grotto

Sally Strachey Conservation page about the project

A blog post about a SPAB visit to the grotto while the restoration work was underway last summer

RCHM (Royal Commission on Historical Monuments), Dorset vol V, 1972, p. 97, no. 6.

Newman, J and Pevsner, N, The Buildings of England: Dorset, 1972, p. 473.

Pitt-Rivers, M,  Shell Guide to Dorset, 1966, p. 141.

Jones, B, Follies and Grottoes, 1953, pp. 47-49.

Favourite websites: Britain From Above

My heart is in the past, and that is why I love this website: Britain From Above. In 2007 English Heritage, the Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS), and the Royal Commission on the Ancient and Historical Monuments of Wales (RCAHMW) acquired the historic oblique aerial photography archive of Aerofilms, a company set up in 1919 for commercial photography from the air. Usually the photos were taken for clients, maybe to establish the location of a building plot within the landscape, or to show the progress of a large construction site or the condition of a property, or as views to be sold to postcard manufacturers, but they have other significances too: the most important part of the collection spans the years from 19191953, and document a now-lost England, Wales and Scotland (sadly Northern Ireland is not part of the project). Currently there are over 96,000 digitised images in the collection.

Padstow, Cornwall. July 1930.

Padstow, Cornwall. July 1930.

I can—and do—lose hours on the Aerofilms website. If you register as a member (it’s very easy to do so, and free), you are able to zoom in on the photographs. The negatives have been scanned at such a high resolution that the tiniest details become clearly visible. They show snapshots of a long-lost Britain: stooks of wheat in a field after harvest; horse-drawn ploughs; airmeets for the dashing 1920s and 1930s aviators where planes are simply landed in a suitable flat field; steam engines puffing along pre-Beecham railway linesfilm sets from the 1930s; even the R-101 on its first test flight.  You can search by date, by co-ordinate, or by placename.

Salisbury Cathedral, 1933.

Salisbury Cathedral, May 1933.

The project encourages users to contribute information on places by tagging the images or adding data, photos, videos or links in a free text area. There are galleries which include all the images taken on a single flight, and even a gallery for so-far unidentified images, where the information accompanying them is lost or incorrect, and members have helped successfully re-attribute many of the photos in the collection. Some of the photos are on glass plate negatives which have been damagedyet another reminder of a lost time.

Many of the photos are of cities and built-up areas, but as my heart is in the countryside as well as in the past, I tend to stick to looking at the photos of rural areas.

An unlocated country house and countryside.

An unlocated country house and countryside. July 1938.

Not a real castle - an unlocated film set for a so-far unidentified film.

Not a real castle—an unlocated film set for a so-far unidentified movie. November 1928.

I have used Britain From Above for my archaeological research work: sometimes I undertake projects where I have to find out as much as I can about a particular area or site, and how it has developed over time. For this I will use documentary sources (books and articles, plus written documents such as letters, wills, diaries, estate accounts etc), maps and plans, drawings, paintings and sketches, and where available, photographs. The Aerofilm vertical photos at 1:10,000 scale are an amazing resource for identifying landscape features such as earthworks, and the oblique photos on Britain From Above are also very useful as they are often taken from a much lower altitude and so have much more detail. Earlier this year I worked on a project for the history of a house and plot near to Hampton Court Palace in Richmond upon Thames, London: the Aerofilm photos provided great details about its development from the 1920s onwards.

Hampton Court Palace, Hampton Court Park and environs, Hampton Court Park, 1948.

Hampton Court Palace, Hampton Court Park and environs, April 1948.

Britain From Above is a fantastic resource (especially for schools) and a complete time-sink. Once I log on, that’s it for a couple of hours …