Don’t miss All Aboard! The Sleigh Ride: Magical festive viewing

I’m a huge fan of all things Nordic, and I’ve just found out that the BBC is repeating a wonderful slow tv programme: All Aboard! The Sleigh Ride.

This is two hours of fabulously festive viewing, as we follow two female Sami reindeer herders and some of their reindeer on a sledge ride across the snowy Lapland landscape as dusk falls. There is no narration or music, just the crunch of the snow, the gentle grunts of the reindeer and the occasional conversation between the women and people they encounter: ski-shod travellers, dog sleds and their drivers, ice fishermen on a frozen lake, and Sami living in their lavvu (wigwam-like tents).

Every now and then some graphics give us information about the Sami and their history and beliefs and social structure, about the animals and plants in the snowy lands: this is done in such a clever way, seemingly embedded within the landscape and sometimes incorporating old photographs.

The programme was first broadcast on Christmas Eve two years ago, and was repeated on Christmas Eve last year. This year it is being shown again, on BBC4 on Saturday 16 December, starting at 7 pm.

The reindeer ride follows an old postal route in Karasjok, in northern Norway, within the Arctic Circle. During their journey, the sledges cross frozen lakes and birch woodland. Sometimes the women ride, and sometimes they walk alongside the reindeer. As the hours of daylight are so short at this latitude in the winter, the journey both starts and finishes with the way lit being by flaming torches. It ends with the Northern Lights putting on a beautiful display above a lavvu. The two Sami reindeer herders are Charlotte Iselin Mathisen and Anne-Louise Gaup.

Ann-Louise Gaup and reindeer.

It may sound boring but it is absolutely magical, and I am so glad to have another chance to watch it again. If you can, do give it a look. I don’t think you’ll be disappointed. It’s calming, hypnotic, meditative, beautiful, informative, and utterly wonderful.

Slow tv is a type of television programming that started in Norway in 2009. It eschews music or narration, and follows real-time action, rather than that edited for speed and brevity.

If you want to learn more about how the programme was made, this Radio Times article has lots of interesting information. Four separate rides were filmed, one a day for four days, and the best ride was used. There were only four hours of daylight per day, and the temperatures dropped to minus 20 degrees C.

Programme website

Daily Mail review

The Unthanks: Magpie

Every now and then I hear a song for the first time and it becomes an instant earworm. ‘Magpie’, by the English folk band The Unthanks, is just such a song. I don’t often listen to folk music, so this song would probably have passed me by, had it not featured at the end of the first episode of the third series of the BBC comedy, Detectorists.

The series centres around two metal detectorists and is filmed in the bucolic Suffolk countryside. It is a lovely, gentle series, in which not a lot happens. As an archaeologist I’m no fan of metal dectectorists and the damage they can (and so often do) wreak on archaeological sites, but the ending of this particular episode summed up in a beautiful montage what I often wonder about the finds I dig up: who they belonged to, the lives lived, and how the pieces ended up where they ended up. So many stories.

Dectectorists is written, directed by and stars the talented Mackenzie Crook, and co-stars Toby Jones. It is currently midway through its third series, broadcast on BBC4, and can be viewed on catch-up on the BBC iPlayer.

‘Magpie’ is a track on The Unthanks’ 2015 album Mount the Air, and uses the traditional English nursery rhyme about the magpie to wonderful effect, with additional lyrics emphasising a pagan theme and music by Dave Dodds. Here’s the full version of the song, with a fan-made video:

Here are The Unthanks performing the song live on Later with Jools Holland:

The magpie (Pica pica) is a beautiful black and white corvid, a familiar bird in the English countryside and one with a rich tradition of symbolism and folk history attached to it.

Magpie (Pica pica). Photo by Andreas Eichler.

I invariably automatically count out the number according to the rhyme when I see a group of magpies (or rarely a singleton: they are gregarious birds). Apparently Crook was inspired by The Unthanks’ song, and certainly the magpie theme has carried on into the second episode, with magpies being featured at the start and finish. I wonder if they will prove to be more significant or symbolic as the series progresses.

31 JANUARY 2018 UPDATE: Here’s a bittersweet coda to the very scene that was featured in video clip from The Detectorists above. Almost worthy of Andy and Lance’s travails!

Rings that remind me of things: Part 15

Part 15 of an occasional series about rings in my Etsy shop that remind me of things.

Ring:

1972 sterling silver modernist ring, London hallmark. For sale.

Thing:

Sea anemone.

So far I have had rings that remind me of an Iron Age hillfortan alien spaceshipa cream horna radio telescopeNoah’s Arkan octopus tentaclespider eyesPluto and its moon Charonthe rings of SaturnThe Starry Night by Vincent Van Goghsome lichenthe stepped Pyramid of Djoser at Saqqara in Egypt, the Quality Street lady, and a herb knife.

UPDATE: the ring has now sold.

Sunday stroll: Bulbarrow

Bulbarrow Hill is a beautiful hill in north-central Dorset, south of Sturminster Newton and west of Blandford Forum. Here the chalk hills rise to 274 metres, making it the third-highest point in the county (after Eggardon Hill at 279 m and Pilsdon Pen at 277 m). It has spectacular views all around, especially to the north and north-west, over the Blackmore Vale, and south-eastwards towards the Dorsetshire Gap. This is in the heart of Thomas Hardy country, and is as lovely as it was in his day, seemingly little-changed. Click on all photos to enlarge: if you then click on the photo again, you get an even bigger version.

View looking south-west from Bulbarrow Hill. The Dorsetshire Gap is on the right in the distance.

By the stile to the footpath leading to Rawlsbury Camp was this sign:

Dating, Dorset style. I wonder what was in the message and if they ever met up again?

Rawlsbury Camp is a small multivallate hillfort, dating from the Iron Age. It is a Scheduled Ancient Monument, and according to its listing, does not appear to have been excavated. A large, fairly new wooden cross has been placed within the hillfort. I can see no mention of this in the listing and wonder if it is a modern construction or replacing an older, historic one.  I would hope the latter, as I cannot see how such despoilation of a scheduled ancient monument would be allowed otherwise.

Rawlsbury Camp with its intrusive cross.

The Dorsetshire Gap is a prominent landscape feature, a very obvious gap (and thus passageway) between Nordon Hill to the east and Nettlecombe Tout to the west. Five ancient trackways meet at the Gap.

The earthworks (ramparts and ditches) of Rawlsbury Camp. It must have been a bleak life living up here. The Dorsetshire Gap is on the horizon.

A beautiful windswept oak on the ramparts.

One of the things that struck us here is that even though there is a road running right across the top of the hill, there is no road noise, allowing you to enjoy the proper sounds of the countryside. This is in marked contrast to another favourite Dorset spot of ours, Fontmell Down Nature Reserve, where the A350 runs noisily close by and the neighbouring Compton Abbas airfield sees plenty of small aircraft coming and going.

Looking north across the Blackmore Vale towards the Shaftesbury escarpment and the lone tump of Duncliffe Hill. You can just make out the clump of trees on Win Green on the very right of the photo, on the skyline. (Click to embiggen/bigify).

On the way home we stopped at the River Stour, just north of the wonderfully named village of Hammoon. Here there is a small brick-built river water monitoring station, run by the Environment Agency, and there is a very touching plaque mounted on the wall.

The lovely plaque at the water monitoring station by the bridge over the River Stour, near Hammoon. Tom Poole was clearly much loved by his colleagues.

The River Stour, taken from Tom Poole’s Bridge (as I shall call it from now on).

The River Stour, and in the background Hambledon Hill. I have a very soft spot for Hambledon: it was here I went on my first proper archaeological dig, in 1979.

Rings that remind me of things: Part 14

Part 14 of an occasional series about rings in my Etsy shop that remind me of things.

Ring:

1974 modernist sterling silver wedge ring, hallmarked in Birmingham. For sale in my Etsy shop, Inglenookery: click on photo for details.

Thing:

 

Herb knife.

So far I have had rings that remind me of an Iron Age hillfortan alien spaceshipa cream horna radio telescopeNoah’s Arkan octopus tentaclespider eyesPluto and its moon Charonthe rings of SaturnThe Starry Night by Vincent Van Goghsome lichenthe stepped Pyramid of Djoser at Saqqara in Egypt, and the Quality Street lady.

Magnus Maximus Designs

Magnus Maximus Designs was a short-lived English jewellery company founded by three designers and jewellery makers, Michael Gray Bell, Pauline Diane Bell and Ian Murray Pennell, who worked in Frizington, a village in Cumbria. During its short period of operation, the company produced a range of stylish jewellery, which can be broadly split in to two main types: pieces using flat or rounded cabochons of semi-precious and other hardstones, and those using nuggets of raw crystals and minerals (‘druzy’). The mounts and frames for these pieces were usually plain and unadorned, creating a minimalist, sculptural effect and showcasing the stones perfectly.

Magnus Maximus Designs rings, in sodalite, amethyst, carnelian, jadeite and agate, all for sale in my Etsy shop, Inglenookery. Click on photo for details. (All rings on middle finger are NOW SOLD).

So far, all the pieces I have seen of theirs are hallmarked between 1971 and 1980. I have seen 1971, 1972 and 1973 Birmingham hallmarks, and 1972 to 1980 inclusive Edinburgh hallmarks, so it looks that they used both Birmingham and Edinburgh Assay Offices for 1972 and 1973, before they decided to change from using Birmingham to Edinburgh. The Edinburgh maker’s mark was registered at the Assay Office there in May 1973, but as it was used on at least one 1972 Edinburgh piece, obviously they were using it before it was registered. I’ve arranged all the Magnus Maximus Designs pieces I have/have sold in date order below:

1971 Magnus Maximus Designs druzy amethyst ring, hallmarked in Birmingham. For sale in my Etsy shop, Inglenookery: click on photo for details.

1971 druzy amethyst ring, Birmingham hallmark. For sale in my Etsy shop, Inglenookery. Click on photo for details.

1971 red stone ring by Magnus Maximus Designs, hallmarked in Birmingham. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1971 sodalite ring with Birmingham hallmark, by Magnus Maximus Designs. For sale in my Etsy shop, Inglenookery: click on photo for details.

1972 black druzy crystal or mineral loveheart ring by Magnus Maximus Designs with a Birmingham hallmark. For sale in my Etsy shop, Inglenookery: click on link for details. (NOW SOLD).

1972 amethyst ring by Magnus Maximus Designs, Birmingham hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1972 amethyst ring by Magnus Maximus Designs, Birmingham hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details.

1972 jadeite ring by Magnus Maximus Designs, with an Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details.

1973 carnelian ring by Magnus Maximus Designs, Birmingham hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1973 1974 Magnus Maximus Designs amethyst pendant in the shape of Maltese Cross. For sale in my Etsy shop, Inglenookery: click on photo for details.

1973-1974 haematite Maltese Cross pendant by Magnus Maximus Designs, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1973-1974 iron pyrites druzy ring by Magnus Maximus Designs, hallmarked in Edinburgh. For sale in my Etsy shop, Inglenookery: click on photo for details.

1973-1974 druzy copper mineral ring, likely raw malachite, by Magnus Maximus Designs, hallmarked in Edinburgh. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1973-1974 druzy citrine pendant and chain, pendant hallmarked in Edinburgh and made by Magnus Maximus Designs. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1973-1974 sodalite ring with Edinburgh hallmark, by Magnus Maximus Designs. For sale in my Etsy shop, Inglenookery: click on photo for details.

1973-1974  jadeite ring by Magnus Maximus Designs, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1973-1974 tiger’s eye luckenbooth pendant and chain by Magnus Maximus Designs, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1977 snowflake obsidian heart-shaped pendant by Magnus Maximus Designs, hallmarked in Edinburgh. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1977 tiger’s eye pendant by Magnus Maximus Designs, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1978 carnelian ring by Magnus Maximus Designs, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details.

1978 massive agate slice pendant by Magnus Maximus Designs, hallmarked in Edinburgh. For sale in my Etsy shop, Inglenookery: click on photo for detail.

I have an interesting pewter pendant which is marked on the back by hand with their maker’s mark initials. I am certain this is by Magnus Maximus Designs, but have seen no other pewter pieces by them. Stylistically it would fit well win their oeuvre, with a flat cabochon of an agate-like stone, perhaps serpentine, and a bold sculptural frame.

Pewter and hardstone pendant almost certainly by Magnus Maximus Designs. For sale in my Etsy shop, Inglenookery: click on photo for details.

The company also made a series of silver pendants and brooches with British wild birds: I have seen a ?dove (see photo below, for sale in my shop), a sea eagle / osprey with a fish it has just caught, and a duck (mallard?).

1978 Magnus Maximus Designs sterling silver bird (?dove) pendant, Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1978 swallow pendant by Magnus Maximus designs, with an Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

1980 swallow pendant by Magnus Maximus designs, with an Edinburgh hallmark. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

As there seem to be no pieces post-dating 1980, I assume that the company ceased trading in the very early 1980s.

I would love to know more about this company, and what the three designers went on to do. If you have any information, I’m all ears!

Birds in our village

We’ve had a few special bird sightings from our cottage this year, but sadly I can’t illustrate any of them with photos as my camera was not to hand …

The first was a strange occurrence indeed. In the 25 years we have lived here we have only once ever before seen a heron (Ardea cinerea) flying over the village. There is not a lot of water round us: we are on the chalk and a lot of the streams are winterbornes ie they only flow in winter, and the nearest lake is 2.25 km (1.4 miles) away and the nearest river about the same distance. So we were very surprised one morning not only to see a heron flying very low over the gardens near us, but to then see it pitch up on a telephone wire over our neighbour’s garden.

Grey heron (Ardea cinerea). Imagine this, but on a telephone wire … Photo by ErRu.

It perched there, swaying slightly, and it was the most amazing sight: such a massive bird, hanging around the cottages completely unconcerned. For such a huge, ungainly bird we were very impressed at its balancing act. It stayed for a few minutes, and then flew off, leaving us delighted.

The second lovely sighting was earlier this week: a lesser spotted woodpecker (Dryobates minor) on one of the telephone poles (I’m not going to call it a telegraph pole because we’re not living in Downton Abbey times any more), going up and down poking insects out of the drilled holes in the pole, and also banging away at the wood.

Lesser spotted woodpecker (Dryobates minor). Imagine this, but on a telephone pole … Photo by Zaltys.

He flew off and then was back again, scurrying up and down the pole. We’ve seen both lesser spotted woodpeckers and green woodpeckers (Picus viridis) doing this, so there must be rich buggy harvests in all the holes.

The third sighting was last night, and a very exciting one: my first ever starling murmuration over the village. When we moved here we rarely saw starlings (Sturnus vulgaris): maybe one or two every now and then. Chap has been feeding our wild birds regularly for a few years now, and in this time we have noticed various bird species increase (and sadly, decrease – or at least, populations seem to fluctuate). One of the success stories is that of the starlings. In the last year the numbers have increased hugely – we now have a biggish flock that seems to stay around the village all day. This might well be to do in part with Chap putting out vast quantities of dried mealworms as well as sunflower seeds several times a day. The starlings (or stormtroopers, as we affectionately call them, due to their strutting walk and bolshy behaviour) come down in droves and hoover up the worms in no time, and I like to think that this regular supply of protein-rich food throughout the year has helped them thrive and breed and raise broods successfully. We regularly see twelve or fifteen juveniles perched on a television aerial or hanging round on the chimney stacks.

Starlings (Sturnus vulgaris). Adults left and centre front; juveniles right back. Photo by Daniel Plazanet (Daplaza).

The murmuration was so exciting to see. It was at about six thirty – so not near dusk, really, but the sky was very overcast (so overcast that we didn’t get to see the partial eclipse later on last evening, bugger it). I reckon there might have been several hundred birds, and they flew in a long, snaking, undulating group over the houses and perched in one of the large beech trees. Having seen with envy footage of huge murmurations over the Somerset Levels and elsewhere in the UK on the telly, it was magical to see one myself, and from our cottage. I hope this will be the first of many.

A starling murmuration. Photo by David Kjaer.

And here is the most wonderful video of a murmuration. Stick with it: it starts with some photos, and then …

Lucky ladies!

We have found the cheapest place to bulk-buy mealworms is Croston Corn Mill: we buy a 12.55 kg (!) bag at a time and pound-per-kilo it seems to work out much cheaper than other places, both physical shops and online. We get through a bag every two weeks or so ….

Rings that remind me of things: Part 13

Part 13 of an occasional series about rings in my Etsy shop that remind me of things.

Ring:

Niels Erik From 1960s rose quartz ring. For sale in my Etsy shop, Inglenookery: click on photo for details.

Thing:

The Quality Street lady. (Bit of a throwback to my childhood Christmases, this one)

So far I have had rings that remind me of an Iron Age hillfortan alien spaceshipa cream horna radio telescopeNoah’s Arkan octopus tentaclespider eyesPluto and its moon Charonthe rings of SaturnThe Starry Night by Vincent Van Gogh, some lichen, and the stepped Pyramid of Djoser at Saqqara in Egypt.

UPDATE: The ring is now sold. Sorry!

Joe Orton, Genius

Today is a sad anniversary: 50 years ago today the playwright Joe Orton was murdered by his lover, Kenneth Halliwell.

Joe Orton in 1967.

I have long been obsessed by Joe Orton. I was a young teenager when I first saw one of his works: the wonderful 1970 film of Entertaining Mr Sloane, based on his 1964 play of the same name. It was dark – blackly dark, and funny as hell, and full of the most joyous and brilliant language.

It spoke to me, even more so when I learned that he was from Leicester, the Midlands city where I lived at the time. From then on, I tried to find out as much as I could about him, to see all his plays and read everything he had written, and that had been written about him. It seemed so cruel that such a wicked, witty and scabrous mind had been taken from us at just 34 – what other wonders would he have created had he not died so young?

Joe in the one-room flat he shared with Kenneth Halliwell in Noel Road, Islington, 1964. (c) The Leicester Mercury.

John Lahr wrote a fantastic biography of Orton, Prick Up Your Ears, which was published in 1978. He later in 1986 published Orton’s diaries in edited form.

This BBC Arena documentary from 1982 is a good introduction to Orton:

A film adaptation of Prick Up Your Ears was released in 1987. Gary Oldman plays Orton, and Alfred Molina plays Halliwell. I can’t think of a better actor at the time than Oldman to capture not only the physical likeness of Orton, but his mischievousness and charm and sexual confidence and humour, all of which are abundantly clear in Orton’s diaries.

I have always felt a connection to Joe, even though he was a gay man and I am a straight woman: I adore his black humour, his sexual innuendos and irreverence, his pomposity pricking and subversion. He is my writer. I was even happier to learn that he had lived for his first two years in Clarendon Park, the same area of Leicester in which I had lived.

Joe Orton.

In 1988 I briefly worked in a bookshop in Leicester, and helped out when the shop hosted an evening with John Lahr, to coincide with the new productions of two of Orton’s lesser-known plays, The Ruffian on the Stair and The Erpingham Camp, at the Haymarket Theatre. He gave a very interesting talk about Joe, and Leonie, Joe’s sister, was there too to answer questions. I took all my Lahr Ortonalia along for the great man to sign: treasured possessions still.

Joe in 1965, photo by Lewis Morley. You can read Morley’s recollections of the photo session during which the photo was taken here.

The publication in 1993 of Kenneth Williams‘ diaries, edited by Russell Davies, gave another wonderful insight into Joe’s life. Lahr had talked to Williams for Prick Up Your Ears, and had been allowed to quote from Williams’ diaries, but the publication of the diaries gave us a much fuller picture of Joe, and his relationship with Halliwell and with Williams.

Joe in 1966. Photo by John Haynes.

If you haven’t discovered Joe Orton yet, I encourage you to dive in, head first. Entertaining Mr Sloane is my favourite play of his, and the film version starring Beryl Reid, Harry Andrews and Peter McEnery captures its anarchic irreverence perfectly.

Joe Orton, 1 January 1933 – 9 August 1967.

Joe Orton website, run by his estate

BBC Radio 4 Front Row half hour special edition on Joe, first broadcast 11 August 2017 and available for download. Features Leonie Orton, Sheila Hancock and John Lahr, among others.

Sunday stroll: Ashcombe

Yesterday was a glorious summer’s day, and we went on a walk we’ve done a couple of times before, on byways and footpaths through the grounds of the Ashcombe Estate, near Tollard Royal in south Wiltshire. Ashcombe House was once the home of Sir Cecil Beaton, and he wrote a wonderful book about his life there. Click on photos to enlarge.

1:25,000 map of the area. Each blue grid square is 1 km x 1 km.

Google Earth image with route marked. We started at Tollard Royal at the bottom of the image and walked the route anti-clockwise direction, going up the straight byway at the start of the walk.

Going up the long straight byway. A byway is open to all traffic: we met a couple of cheery off-road motorbikers.

Lovely vista of Ashgrove Bottom, one of the many dry valleys (coombes) on the chalk downland.

The path is still climbing, and on the left and centre you can see the tops of the wooded coombes in which Ashcombe House nestles.

Lovely meadow cranesbill (Geranium pratense). It’s a much more vivid blue than this – the colour never comes out right in my photos.

Still climbing.

If you just squint you can see a part of the roof and dormer windows of Ashcombe House in the centre of the photo, surrounded by the woods. It is in the most wonderfully secluded spot.

Looking down on the woods. To me, there is no finer sight than the English countryside in summer.

Not that you’ll be able to spot them, but there are two red kites (Milvus milvus) in this photo. The red kite has only colonised this area in the last 15 years or so.

A common spotted orchid (Dactylorhiza fuchsii), just starting to go over.

Another common spotted orchid flower, slightly differently coloured (they are quite variable).

Ferne House, just to the north of the Ashcombe Estate, with its double avenue of trees. Despite looking like it has sat in its grounds for centuries, this mansion was built in 2001 for Lord Rothermere. It was designed in a Palladian style by architect Quinlan Terry.

Ferne House and grounds. I’m fascinated by the groups of trees that have been planted – squares, circles, crosses, triangles and even what might be a love heart! This is the highest point of the walk, and is only a few metres lower than Win Green, the nearby highest ground with a trig point and fabulous vistas over south Wiltshire and north Dorset.

Starting the steep walk down through the woods to Ashcombe Bottom. You can see here how Ashcombe got its name – valley of the ashes. There were also some beautiful beech trees in the woods, and luckily no sign of the dreaded ash die-back disease we’ve been hearing so much about recently.

It was a lovely surprise to see so many nettle-leaved bellflowers (Campanula trachelium) in the woods. The ransoms/wild garlic (Allium ursinum) leaves were dying off but the aroma was still pungent – delicious!

Walking down Ashcombe Bottom. Along with the estate trees (with their stock-proof cages) it was lovely to see the hawthorn bushes (Crataegus monogyna) on the hillside: such a classic part of chalk downland life.

Heading back to Tollard.

A rather crappy photo of a gorgeous comma butterfly (Polygonia c-album) with its ragged wing edges.

Journey’s end: the beautiful wildlife pond at Tollard Royal.

Such a lovely walk: we saw some many wildflowers and grasses, including goatsbeard (Tragopogon pratensis), quaking grass (Briza media), pyramidal orchids (Anacamptis pyramidalis), common spotted orchids (Dactylorhiza fuchsii), common valerian (Valeriana officinalis), field scabious (Knautia arvensis), nettle-leaved bellflower (Campanula trachelium), meadow cranesbill (Geranium pratense), chalk milkwort (Polygala calcarea), lady’s bedstraw (Galium verum), wild carrot (Daucus carota), greater knapweed (Centaurea scabiosa), hedge bedstraw (Galium mollugo) and many others. The one plant I expected to see and did not was the harebell (Campanula rotundifolia), an absolute classic flower of chalk downlands.

We saw ten butterfly species: small tortoiseshell (Aglais urticae), small white (Pieris rapae), grizzled skipper (Pyrgus malvae), marbled white (Melanargia galathea), peacock (Aglais io), red admiral (Vanessa atalanta), comma (Polygonia c-album), meadow brown (Maniola jurtina), speckled wood (Pararge aegeria) and gatekeeper (Pyronia tythonus). We weren’t really looking out for birds so much, but saw red kites and buzzards, plus a female blackcap and heard a beautiful male blackbird’s song in the woods. A blue damselfly settled on the drive in front of us as we walked along Ashcombe Bottom. It’s a wonderful walk in beautiful countryside, and we shall be doing it again before too long.