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Arts and Crafts cicely (or is it cecily?) leaf motifs

I have quite a few pieces of silver jewellery in my Etsy shop that are inspired by British Arts and Crafts designs, most notably those of Charles Rennie Mackintosh. One of the motifs he and his contemporaries used quite a lot is known as the cicely leaf design – though I often see it written as cecily leaf.

Chalres Rennie Mackintosh design for a stencil to go on the back of a chair, 1902. It features two Glasgow Roses and several cicely leaves. From the collection of the Hunterian Museum.

Charles Rennie Mackintosh design, 1902. It features two Glasgow Roses and several cicely leaves. From the collection of the Hunterian Museum.

Sweet cicely (Myrrhis odorata) is a member of the umbellifer family, similar to cow parsley, Queen Anne’s lace, fennel and wild carrot.

Sweet cicely (Myrrhis odorata). Photo by H. Zell.

Sweet cicely (Myrrhis odorata). Photo by H. Zell.

Sweet cicely (Myrrhis odorata)

Sweet cicely (Myrrhis odorata).

The problem is, the fern-like, divided pinnate leaf of sweet cicely looks nothing like the leaf described as the cicely (or cecily) leaf, with its broad heart-shaped or teardrop-shaped leaf and prominent central rib! I have no idea where the name of the motif came from, but it is in very common use. Maybe it is correctly spelled cecily, and was called after a lady of that name … I’ve had a good old truffle online and I’m none the wiser.

Cicely leaf overlap ring.

Cicely leaf overlap ring. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Vintage cecily leaf design peridot glass stud earrings. For sale in my Etsy shop: click on photo for details.

Vintage cicely leaf sterling silver and peridot glass stud earrings. For sale in my Etsy shop: click on photo for details.

Charles Rennie Mackintosh style sterling silver ring with cecily leaf design. For sale in my Etsy shop: click on photos for details.

Charles Rennie Mackintosh style sterling silver ring with cicely leaf design. For sale in my Etsy shop: click on photos for details. (NOW SOLD).

Vintage Ortak brooch with three cicely leaves. For sale in my Etsy shop: click on photo for details.

Vintage Ortak brooch with three cicely leaves. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Vintage jadeite and sterling silver ring with cicely leaf design.

Vintage jadeite and sterling silver ring with cicely leaf design. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Charles Rennie Mackintosh style vintage brooch with Glasgow Rose and cicely leaves.

Charles Rennie Mackintosh style vintage brooch with Glasgow Rose and cicely leaves. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Vintage

Vintage Charles Rennie Mackintosh style brooch with Glasgow Rose and cicely leaves. For sale in my Etsy shop: click on photo for details.

Vintage Charles Rennie Mackintosh design pendant with figures and cicely leaf.

Vintage Charles Rennie Mackintosh design pendant with figures and cicely leaf. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Charles Rennie Mackintosh style necklace with cecily leaves. Made in sterling silver by Carrick Jewellery and hallmarked Edinburgh 1988. For sale: click on photos for details.

Charles Rennie Mackintosh style necklace with cecily leaves. Made in sterling silver by Carrick Jewellery and hallmarked Edinburgh 1988. For sale: click on photos for details. (NOW SOLD).

But whatever the origins of the motif and its various names, it’s a lovely one that was commonly used.

RSPB Big Garden Birdwatch 2016

Every year, on the last weekend in January, the Royal Society for the Protection of Birds (RSPB) asks the British public to take part in the largest wildlife survey in the world: The Big Garden Birdwatch. We are asked to sit and watch our gardens for an hour, and to count what species and numbers of birds we see during that time. The results help the scientists at the RSPB to get an idea of the health of our bird populations.

Chap and I do this every year. Normally we do it at the same time, with one of us watching the front of the cottage (where our small garden is) and the other watching our tiny back yard. This year we’re doing it slightly differently: I did my stint yesterday, and Chap is doing his today as I type.

Our kitchen has a window that looks out over the back yard. There is a bird feeder with sunflower seeds hanging about a metre from the window, and we have a ‘borrowed landscape’ of our neighbours’ garden, with its shrubs and trees and fat balls in a feeder. I have to admit that I probably slightly skewed the results yesterday: we were sitting at the kitchen table when Chap glanced up and saw a goldcrest (Regulus regulus), creeping about and poking for bugs among the white mossy froth of the woolly aphids that live on the old apple tree. We haven’t seen a goldcrest in the garden for years. At that point I said ‘I’m starting the Bird Watch right now’.

Female Goldcrest (Regulus Regulus). Photo by Missy Osborn.

Female goldcrest (Regulus Regulus). Photo by Missy Osborn.

It’s always a very zen time, just taking an hour to do nothing other than watch the wildlife around us. I watched two robins (Erithacus rubecula) having a noisy territorial dispute, with lots of chest puffing and chasing each other, and the occasional physical spat. They were so wrapped up in their fighting that they didn’t notice the third robin who crept in and had a good feed while they were scrapping.

Robin (Erithracus rubecula). Photo by Ramin Nakisa.

Robin (Erithracus rubecula). Photo by Ramin Nakisa.

A pair of blackcaps (Sylvia atricapilla) visited the sunflower feeder too, separately, but I hope they are a breeding pair.

Male blackcap (Sylvia atricapilla). Photo by Spacebirdy.

Male blackcap (Sylvia atricapilla). Photo by Spacebirdy.

Female blackcap. Photo by Stefan Berndtsson.

Female blackcap (Sylvia atricapilla). Photo by Stefan Berndtsson.

The fat ball feeder attracted a gang of noisy house sparrows (Passer domesticus),

Male house sparrow (Passer domesticus). Photo by Lip Kee Yap.

Male house sparrow (Passer domesticus). Photo by Lip Kee Yap.

whereas the sunflower seed feeder was preferred by the even bigger gangs of goldfinches (Carduelis carduelis) – our most common garden bird here.

Goldfinch () Photo by Ómar Runólfsson.

Goldfinch (Carduelis carduelis). Photo by Ómar Runólfsson.

Last year’s results are impressive: over half a million people took part, counting a total of 8,546,845 birds in total.

There is still time to take part: the survey runs til midnight.

RSPB website

Sunny days in Devon

When the weather is gloomy and wet and miserable, I like to look through my photos to be reminded of sunnier days. Here are some I took of a garden in Salcombe in Devon, designed by fab garden and landscape designer Jo Stopher:

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My poor photography skills don’t do justice to this fab rooftop garden. Yes! Really! The garden is planted on the flat roof of a modern house: the last photo shows a hint of the garden ‘up top’, seen from below. It’s so clever in the way the garden borrows the landscape beyond, seemlessly merging the rooftop planting with the surrounding trees and plants and scenery.

Jo is a stunning designer, with a particular expertise in seaside planting. I met Jo when I was writing a feature for The English Garden on a garden she had designed; I was very lucky to be shown round a few of her creations in the gorgeous South Hams of Devon, including the one in the photos here, and will post some more photos of her creations soon.

Fascination with fasciation

Every now and then in our garden, we get a flower that has ‘gone wrong’. Sometimes it has way more petals than it should, or the stem is thickened or flattened; it doesn’t look right.

This snakeshead fritillary (Fritillaria meleagris) should have one flower per stem. This one growing in our garden had four, and you can see the flattened stem quite clearly:

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Snakeshead fritillary (Fritillaria meleagris) with fasciation.

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Snakeshead fritillary (Fritillaria meleagris) with fasciation. The flattened stem is clearly visible.

We’ve also had snakeshead fritillaries with double or more the number of petals they should have.

What has happened is a condition called fasciation. The causes aren’t clear – they may be a combination of genetic, hormonal, environmental, fungal, bacterial, and viral factors. According to Wikipedia

is a relatively rare condition of abnormal growth in vascular plants in which the apical meristem (growing tip), which normally is concentrated around a single point and produces approximately cylindrical tissue, instead becomes elongated perpendicularly to the direction of growth, thus, producing flattened, ribbon-like, crested, or elaborately contorted tissue.

The plants in our garden in which we see the condition the most are euphorbias and fritillaries. We’ve also had our white foxgloves affected by it more than once. It doesn’t happen every year – probably every three or four years – but it’s so noticeable when it does happen, and as I like curiosities and oddities, I’m very happy to see it.

Thank you, tree

This is a beautiful Scots pine (Pinus sylvestris) that grew in the garden of my older sister and her husband.

Scot's pine (PInus sylvestris).

Scot’s pine (Pinus sylvestris).

It had had quite a few boughs cut off over the years, and I always thought it looked like it could be from a Japanese or Chinese painting, with its beautiful shape.

Sadly, they had to have it cut down a few years after I took this photo, as it was diseased. As pine is a very resiny wood, and they live in a thatched cottage, the terms of their home insurance don’t allow them to burn pine, and so … we have been given lots of the wood from the tree, which we are gradually burning in our wood-burning stove. So thank you, tree. (And thank you R, for chopping up all the wood!)

The Piet Oudolf garden at Hauser & Wirth, Bruton

We had a look round here on Saturday. The old farm buildings have been beautifully restored and altered for use as a gallery exhibition space, and new buildings have been added. My favourite part was the modern cloister, with clever planting. I assume the planting is by Piet Oudolf, who designed the beautiful meadow garden behind the gallery. The gallery and gardens are free to enter. The next exhibition there is one of photos by Don McCullin.

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The late summer prairie-style planting was looking spectacular, and the garden was alive with bees and butterflies and hoverflies and dragonflies and damselflies and other assorted bugs and beasties. I think any beekeepers round there must be delighted!

Hauser & Wirth Somerset website

Sunday stroll: Larmer Tree Gardens

Yesterday we headed out to visit the Larmer Tree Gardens, near Tollard Royal in south Wiltshire. These beautiful Victorian gardens have the distinction of being the first privately owned gardens in the UK that were opened for the enjoyment of the general public.

The Larmer Tree Gardens: the Temple on the left and the General's Room on the right.

The Larmer Tree Gardens: the Temple on the left and the General’s Room on the right.

The gardens are on the Rushmore Estate, which is in the ownership of the Pitt Rivers family. In 1880 Augustus Pitt Rivers inherited the estate, and started work almost immediately on the gardens, the development of which continued over the entire 20 years that the gardens were open.

Bust of Augusts Pitt Rivers in the Temple at the Larmer Tree Gardens.

Bust of Augustus Pitt Rivers in the Temple at the Larmer Tree Gardens.

The gardens became a massive attraction, at one point entertaining 44,000 visitors a year. Thomas Hardy visited, and even wrote a poem celebrating an evening spent there. The gardens closed with the death of Pitt Rivers in 1900, and gradually fell into disrepair.

The Lower Indian Room (left) and the Singing Theatre (right) at the Larmer Tree Gardens.

The Lower Indian Room (left) and the Singing Theatre (right) at the Larmer Tree Gardens.

The central lawn area is surrounded by various structures and buildings; others are set further back in the gardens, linked to the central lawn by wide grass paths flanked by cherry laurel hedges. These hedges also enclose several small picnicking areas, all part of Pitt Rivers’ design to allow the maximum enjoyment of the gardens by his estate workers and the general public. Around the edges of the garden are woodland areas and a few herbaceous beds. However, it is the buildings around the lawn that characterise this extraordinary garden, though the free-roaming peacocks and macaws are pretty iconic too.

Free-roaming peacock at the Larmer Tree Gardens. In the background are the Singing Theatre (left) and the Lodge (right).

Free-roaming peacock at the Larmer Tree Gardens. In the background are the Singing Theatre (left) and the Lodge (right).

By the entrance gate at the southern edge of the gardens is the Lodge, which now houses the cafe and a private residence. Next to this around the lawn is the magnificent Singing Theatre, with its wooden structure and painted backdrop. The paintwork is peeling and faded, and mercifully the theatre hasn’t been restored from its gently and elegantly ageing state.

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The Singing Theatre at the Larmer Tree Gardens.

The Singing Theatre at the Larmer Tree Gardens.

The Funeral of Phocion by Nicolas Poussin (1648).

The Funeral of Phocion by Nicolas Poussin (1648), the painting on which the Singing Theatre painted backdrop is based.

Detail of the painted backdrop: you can clearly see the curved boards onto which the painting has been made.

Detail of the painted backdrop: you can clearly see the boards onto which the painting has been made.

Detail of the painted backdrop.

Detail of the painted backdrop. There are three doors hidden in the painting: one at the back and one at either side.

Next is the Lower Indian Room, and then the General’s Room. Both of these are traditional Indian buildings transposed to a bucolic English setting.

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The Lower Indian Room at the Larmer Tree Gardens, with peahen resting on the front verandah.

The General's Room at the Larmer Tree Gardens.

The General’s Room at the Larmer Tree Gardens.

Detail of a window of the General's Room at the Larmer Tree Gardens.

Detail of an intricately carved window of the General’s Room at the Larmer Tree Gardens.

The final building around the lawn is the Temple, a beautiful small stone building in the Palladian style. It has a fireplace and a beautiful floor (including a maze mosaic) and decorative ceiling, and I can so easily picture Augustus sitting there with his pipe, reading a tome or working on his archaeological notes.

The Tenple at the Larmer Tree Gardens.

The Temple at the Larmer Tree Gardens. The reddish hue on some of the stonework is due to lichen.

The white marble fireplace in the temple at the Larmer Tree Gardens.

The white marble fireplace in the temple at the Larmer Tree Gardens.

The maze mosaic in the floor of the Temple at the Larmer Tree Gardens.

The maze mosaic in the floor of the Temple at the Larmer Tree Gardens.

Domed stone ceiling with carved sun-ray motif in the Temple at the Larmer Tree Gardens.

Domed stone ceiling with carved sun-ray motif in the Temple at the Larmer Tree Gardens.

A steep flight of steps lead down from the Temple to a series of ornamental ponds with small waterfalls, with a small grotto complete with statue of Neptune complete with trident.

The Temple at the Larmer Tree Gardens.

The Temple at the Larmer Tree Gardens.

View of the Temple across the ornamental ponds at the Larmer Tree Gardens.

View of the Temple across the ornamental ponds at the Larmer Tree Gardens.

Neptune in his flint nodule-lined grotto at the Larmer Tree Gardens.

Neptune in his flint nodule-lined grotto at the Larmer Tree Gardens.

Further behind the central lawn are two small thatched wooden shelters, Band View and Stag’s Arbour, and the corrugated iron-clad Jubilee Hall, built to celebrate the 50th anniversary of the reign of Queen Victoria.

Following Augustus Pitt Rivers’ death, the gardens were neglected, with the cherry laurels gradually taking over and swamping the carefully-maintained paths and small picnic gardens, and the buildings slowly falling into disrepair, with some rotting away all together: the octagonal base of the bandstand is still visible by the lawn, and another building base on the opposite side near the Singing Theatre. The restoration was started in 1991, and the gardens reopened in 1995.

The gardens have a wonderful atmosphere. There are deck chairs available for visitors’ use, as well as a croquet set, apparently. Peacocks roam freely throughout the gardens: the lady in the cafe told us that one of the peahens had two chicks, but we didn’t spot them. The males have lost their glorious tail feathers in their annual moult, but were still very spectacular.

A canny peacock lurking at the cafe garden at the Larmer Tree Gardens. Lovely bark on the Acer griseum tree in the foreground.

A canny peacock lurking at the cafe garden at the Larmer Tree Gardens. Lovely bark on the Acer griseum tree in the foreground.

My haul of shed peacock feathers.

My haul of shed peacock feathers.

And we loved seeing the pair of macaws sitting in an ash tree: such an unexpected sight for an English country garden!

Spot the macaws!

Macaws in an ash tree at the Larmer Tree Gardens.

They are totally free to come and go as they please, and apparently are often seen at the nearby Rushmore Golf Course.

An extra treat for children (and the young at heart) visiting the gardens are the eleven fairy doors hidden in the base of trees the gardens. We found three:

Peacock fairy door at the Larmer Tree Gardens.

Peacock fairy door at the Larmer Tree Gardens.

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Peacock fairy door at the Larmer Tree Gardens.

Scottish fairy door in a Western Red Cedar at the Larmer Tree Gardens.

Scottish fairy door in a Western Red Cedar at the Larmer Tree Gardens.

Scottish fairy door in a Western Red Cedar at the Larmer Tree Gardens.

Scottish fairy door in a Western Red Cedar at the Larmer Tree Gardens.

Red fairy door in a yew tree at the Larmer Tree Gardens.

Red fairy door in a yew tree at the Larmer Tree Gardens.

Red fairy door in a yew tree at the Larmer Tree Gardens.

Red fairy door in a yew tree at the Larmer Tree Gardens.

Luckily there’s a fairy door trail leaflet to help you find them all.

A little way away from the gardens is a massive and very strange Indian-style folly. We walked over to it: it is in the middle of a field, surrounded by quite a deep ditch, and there is a ride cut through the trees to allow a vista of the folly from King John’s House in Tollard Royal. Pitt Rivers owned King John’s House, a 13th century manor house.

The Indian-style folly near the Larmer Tree Gardens.

The Indian-style folly near the Larmer Tree Gardens.

The gardens are open at a small charge (currently £4 for an adult). Unsurprisingly they are a favourite venue for weddings, and there are also a couple of festivals held there each year (the Larmer Tree Festival and the End of the Road Festival). Consequently there are often times when the gardens are closed: I have driven to it quite a few times now only to be disappointed. Needless to say it’s highly recommended to check opening days and times online first!

I always think of the gardens being in Dorset rather than Wiltshire, possibly because Pitt Rivers is so inextricably linked with his groundbreaking archaeological work in Cranborne Chase in Dorset; looking at the 1:25,000 OS map of the area I see that the county boundary between Wiltshire and Dorset actually runs along the southern edge of the gardens. Unusual to park our car in Dorset to visit a garden in Wiltshire!

Timeline of the development of the garden buildings:

* 1880 The Temple

* 1881 The Lodge

* 1882 Stag’s Arbour

* 1886 Band View

* 1895 The Singing Theatre; The Larmer Tree studio attached to the Lodge

* 1896 Jubilee Hall

* 1897 Lower Indian Room

* 1899 The General’s Room

Can't resist it: I'm not a grily girl by any strecth of the imagination (I wear a dress about twice a year), but look at this gorgeous dress on a bride at the Larmer Tree Gardens.

Can’t resist it: I’m not a girly girl by any stretch of the imagination (I wear a dress about once a year), but look at this gorgeous gown on a bride at the Larmer Tree Gardens.

Larmer Tree Gardens website.

Zingy summer flowers

I picked a bunch of flowers from my garden the other day: I just love the colours, so zingy and bright this time of year.

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A rainbow of zing: red Crocosmia ‘Lucifer’, orange self-sown Crocosmia, yellow Inula hookeri, and purple Lythrum salicaria, our native Purple loosestrife.

And then my lovely and clever friend Sam gave me a bunch of roses for no reason other than she saw them and knows orange is my favourite colour. What a darling and aren’t they gorgeous?

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Sunshine in a vase!

In the garden

Yesterday I spotted this wee beastie lurking in one of our flower beds, our biological snail control:

Mr Frog eyeing up his lunch.

Mr Frog eyeing up his lunch.

We garden organically, and so the hedgehogs and frogs and toads are such welcome guests, not only because they are beautiful creatures, but also because they munch the slugs and snails. We’re trying to become more environmentally-minded in our garden, encouraging our native wild flowers from which the bees like to feed, and giving up trying to grow plants that the slugs find tasty and strip back to stems. So no more hostas for us.

The scarlet tiger moths (Callimorpha dominula) have been about for about the last fortnight. Chap found this newly-emerged specimen on our path.

Newly-emerged tiger moth.

Newly-emerged scarlet tiger moth.

We put him up out of the way on the honeysuckle, which is in full glorious bloom right now. The scent is intoxicating.

The roses are also looking and smelling fabulous right now. This one is a David Austen rose, Rosa ‘Heritage’.

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Rosa ‘Heritage’.

The heavy blooms droop slightly. Pick them up to smell the flower and in our garden you are greeted with these little fellows, flea beetles:

Flea beetle central.

Flea beetle central on Rosa ‘Heritage’.