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How Pluto got its name

I was so happy at the recent fantastic news from the New Horizons probe as it flew past Pluto and showed us what the dwarf planet really looks like (it’s incredible to think that only a fortnight ago, we had a blobby pixelated view; now we can see features 1 km in size). It’s yet another amazing achievement by NASA.

Pluto, photographed by the New Horizons probe on 13 July 2015.

Pluto, photographed by the New Horizons probe on 13 July 2015.

I listened with interest to the 15 July episode of the BBC Radio 4 Inside Science series that was dedicated to the recent Pluto news. Among the items was a small feature on how Pluto got its name. I had heard this story before but it still gives me pause for thought: Pluto was named by an 11-year-old English schoolgirl, Venetia Phair (née Burney) (11 July 1918 – 30 April 2009). 

Venetia Burney, aged 11.

Venetia Burney, aged 11.

So how did an English schoolgirl come to name the planet?

Pluto was discovered on 18 February 1930 by American astronomer Clyde Tombaugh, who was working at the Lowell Observatory in Flagstaff, Arizona. Tombaugh was searching Planet X, a hypothetical planet beyond Neptune, the existence of which had been predicted by Percival Lowell and William Pickering. Pluto’s discovery was made public on 13 March 1930. At the time, Venetia lived in Oxford, with her mother and maternal grandparents. Her grandfather, Falconer Madan (1851 – 1935) had previously been the Librarian of the Bodleian Library of the University of Oxford, and at the time was a noted scholar of the life and works of Lewis Carroll. Over breakfast on 14 March 1930, Madan read out about of the discovery in The Times.

The short piece in The Times, 14 March 1930, that

The short piece in The Times, 14 March 1930, that Falconer Madan read out to Venetia Burney at breakfast. This news was tucked away on page 14 of the newspaper.

Here’s a transcript of part of a 2005 BBC interview with Venetia:

My grandfather said, ‘I wonder what they will call it?’ and I said, ‘Why not call it Pluto?’ or words to that effect, and my grandfather, on his way to the Bodleian Library, he dropped a note in at Professor H. H. Turner‘s house. Now he was an ex-Astronomer Royal, so Professor Turner cabled it out to Flagstaff, and I of course thought no more about it and didn’t hear anything about all of this, but the suggestion was taken as a good one, for various reasons, Pluto being a dark planet, god of the Underworld, and various other points, like P L for Pluto, P L for Percival Lowell. And so about three months later I heard that I was responsible for naming it, but I dare say other people thought of it even earlier but didn’t have the backup to cable and suggest it.

Unbeknownst to Burney, on 16 March Turner cabled the suggestion to the Lowell Observatory:

NAMING NEW PLANET PLEASE CONSIDER PLUTO, SUGGESTED BY SMALL GIRL, VEBTIA NURNEY, FOR DARK GLOOMY PLANET. TURNER.

Turner's cable to the Lowell Observatory. Lowell Observatory Archives.

Turner’s cable to the Lowell Observatory. Lowell Observatory Archives. Venetia’s name has somehow become mangled into Vebtia Nurney.

On 24 March the selection was made: every member of the Lowell Observatory was allowed to vote from a shortlist of three names (the other two were Minerva and Cronos), and Pluto won every vote. The announcement of Pluto’s name was made on 1 May 1930, and Venetia’s place in astronomical history was assured. She was invited to watch the launch of New Horizons from Cape Canaveral on 19 January 2006, but had to decline because it was too far for her to travel at her advanced age.

Venetia Phair in 2006.

Venetia Phair in 2006.

Venetia was wonderfully modest about the whole matter: on being asked in an interview with NASA whether people in her home town (Epsom) knew of her role in history, she replied ‘ … on the whole, it doesn’t arise in conversation and you don’t just go around telling people that you named Pluto.’ Great British understatement at its finest!

Amazingly, Venetia’s family also made other contributions to the naming of celestial bodies: in 1877 her great-uncle, Falconer’s brother Henry Madan named the two Martian moons Phobos and Deimos.

Venetia has had a few tributes: an asteroid, 6235 Burney, is named after her, as is the American band The Venetia Fair, and perhaps most fittingly, one of the scientific instruments on New Horizons, a dust sensor, bears her name: the Venetia Burney Student Dust Counter (VBSDC).

The Venetia Burney Student Dust Counter (VBSDC). Now a very long way away from erth.

The Venetia Burney Student Dust Counter (VBSDC). Now a very long way away from earth; at one time in July 2015 just 12,500 km from Pluto.

Further information:

NASA’s New Horizons website

18 July 2015 io9 article summarising the New Horizons story so far

13 January 2006 BBC article about Venetia Phair

17 January 2006 NASA interview with Venetia Phair

MP3 of the above NASA interview

In the garden

Yesterday I spotted this wee beastie lurking in one of our flower beds, our biological snail control:

Mr Frog eyeing up his lunch.

Mr Frog eyeing up his lunch.

We garden organically, and so the hedgehogs and frogs and toads are such welcome guests, not only because they are beautiful creatures, but also because they munch the slugs and snails. We’re trying to become more environmentally-minded in our garden, encouraging our native wild flowers from which the bees like to feed, and giving up trying to grow plants that the slugs find tasty and strip back to stems. So no more hostas for us.

The scarlet tiger moths (Callimorpha dominula) have been about for about the last fortnight. Chap found this newly-emerged specimen on our path.

Newly-emerged tiger moth.

Newly-emerged scarlet tiger moth.

We put him up out of the way on the honeysuckle, which is in full glorious bloom right now. The scent is intoxicating.

The roses are also looking and smelling fabulous right now. This one is a David Austen rose, Rosa ‘Heritage’.

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Rosa ‘Heritage’.

The heavy blooms droop slightly. Pick them up to smell the flower and in our garden you are greeted with these little fellows, flea beetles:

Flea beetle central.

Flea beetle central on Rosa ‘Heritage’.

The Viking bird pendant from Hattula, Finland

I recently got this fab vintage piece for my Etsy shop, with its goofy face and its jiggly, dangly legs, and tried to find a bit more about it.

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The bronze bird pendant necklace by Kalevala Koru, based on a silver Viking bird pendant from Hattula, Finland. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

I knew it was made by the Finnish jewellery firm of Kalevala Koru of Helsinki, one of the largest jewellery firms in Finland, and a further google truffle told me it was designed by Kimmo Virkkunen. I also learned that it was based on a late Viking-era hoard find. My ears pricked up. I love me a hoard.

Here’s the original on which the modern iteration is based:

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The Viking-era original sheet silver pendant. Note it doesn’t have any legs.

The caption in Finnish on the National Board of Antiquities webpage translates as ‘The bird-shaped pendant in silver is decorated with filigree. The pendant is part of a silver treasure found in Luurila in Hattula’.

A further google truffle tells me that the hoard was found in a field, part of a farm called Luurila in the municipality of Hattula in south-central Finland, near the village of Pelkola. The farm is on the south-west shore of Lake Renkojärvi. It is thought that the hoard was originally buried in a leather bag or some other container that had disintegrated; the ploughing of the field had spread the contents over an area of about 25 m². In 1906, after a few coins and a pendant had been found in the field, the site was excavated by the National Museum, and produced a significant number of finds.

The pendant dates from between 800-1025 AD, and the hoard was buried around 1040 AD. The hoard comprised silver necklets, pendants, and strap mounts, carnelian and glass beads, and 126 silver coins, including Anglo-Saxon ones from England and Byzantine ones with Kufic Arabic. The coins allowed the date of deposition of the hoard to be established to a very close date.

The pendant is made of sheet silver, with a filigree decoration. The bird’s legs are missing, but the suspension loop from which they presumably would have hung survives. The modern version by Kalevala Koru gives the bird the long, webbed feet of a waterfowl. Given the preponderance of lakes and inland waterways in Finland (there are over 55,000 lakes there, according to Wikipedia, which rather knock the 4,000 holes in Blackburn, Lancashire into a cocked hat), and the shape of the bird’s body, this does not seem like an unreasonable interpretation. It reminds me of a coot (Fulica atra) or a moorhen (Gallinula chloropus):

A coot ( Photo by Marcus Rowland.

A coot. Photo by Marcus Rowland.

Moorhen (Gallinula chloropus). Photo by Tony Hisgett.

Moorhen (Gallinula chloropus). Photo by Tony Hisgett.

but as the moorhen doesn’t have webbed feet I guess the Kalevala Koru one at least can’t be that.

Most of the information on the hoard in this post comes from Anglo-Saxon Coins Found in Finland by C.A. Nordman, published in Helsingfors in 1921 and which has been digitised and made available on the web by the University of Illinois as part of its Brittle Books Project. Hurrah for UIUC!

She sells sea shells part 2

I love nature jewellery, inspired by birds or flowers or animals. And it seems appropriate as beach time is on us that I have a lot of shell jewellery at the moment, either made from shells or depicting them. All are for sale in my Etsy shop: click on the photos for details.

Victorian mother of pearl and abalone necklace.

Victorian mother of pearl and abalone necklace. (NOW SOLD).

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Vintage shell earrings. (NOW SOLD).

Abalone and sterling silver pendant.

Abalone and sterling silver pendant. (NOW SOLD).

Mother of pearl and onyx cufflinks.

Vintage mother of pearl and onyx cufflinks. (NOW SOLD).

Vintage abalone and stainless steel brooch.

1960s abalone and stainless steel brooch. (NOW SOLD).

Vintage Art Deco mother of pearl dress clip.

Art Deco mother of pearl dress clip. (NOW SOLD).

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Vintage abalone heart pendant. (NOW SOLD).

Vintage 835 Portuguese silver bracelet.

Vintage 835 Portuguese silver bracelet. (NOW SOLD).

Vintage stainless steel and abalone brooch.

1960s stainless steel and abalone brooch. (NOW SOLD).

Vintage Carl M Cohr silver bangle bracelet.

Vintage Danish silver Carl M Cohr bangle bracelet. (NOW SOLD).

Vintage Mexican abalone and silver pendant and chain.

Vintage Mexican abalone and silver pendant and chain. (NOW SOLD).

Vintage modernist black abalone ring.

Vintage modernist black abalone ring. (NOW SOLD).

Antique Arts and Crafts blister pearl brooch.

Antique Arts and Crafts blister pearl brooch.

Vintage seed pearl ring.

Vintage seed pearl ring. (NOW SOLD).

Vintage Arts and Crafts style pendant with pearl dangle.

Vintage Arts and Crafts style pendant with freshwater pearl dangle. (NOW SOLD).

Shelly, pearly, silvery, nacreous loveliness.

Tree with flowers like cow parsley

One of the features of the ‘dashboard’ for this blog is a list of the search terms that visitors have used to bring them here. In among the usual ‘Niels Erik From’ and ‘Scandinavian silver’ and ‘filming locations’ search terms, yesterday I spotted something a little more unusual: ‘Tree with flowers like cow parsley’. Now I don’t know the nationality of the searcher, but I’m assuming they are British as cow parsley (Anthriscus sylvestris) is one of our common wildflowers here. And so I’m guessing they might be searching for a British native tree with flowers like cow parsley.

Cow parsley (Anthriscus sylvestris). Photo by Olivier Pichard.

Cow parsley (Anthriscus sylvestris). Photo by Olivier Pichard.

Cow parsley flower head. Photo by Kristian Peters.

Cow parsley flower head. Photo by Kristian Peters.

My immediate thought was the elderflower, Sambucus nigra. It is in blossom right now, and looking glorious. Great frothy heads of white and creamy white flowers cover the large shrub/small trees.

Elderflower (Sambucus nigra). Photo by kku.

Elderflower (Sambucus nigra). Photo by kku.

Elderflower blossom detail. Photo by Frank Vincentz.

Elderflower blossom detail. Photo by Frank Vincentz.

Often the cow parsley is out at the same time that the hawthorn (Crataegus mongyna) is in blossom, their intertwangled blooms giving a white frothy appearance to the hedgerows and roadsides around here, but this year the cow parsley has been much later in flowering. It’s just about going over now, but has overlapped with the elderflower blossoms, giving a different but equally lovely combination of white froth.

In our garden we grow an elderflower cultivar, a stunning and decorative form with purple leaves and light mauvey pink flowers, Sambucus nigra f. porphyrophylla ‘Eva’. (It was called Sambucus nigra ‘Black Lace’ when I bought it, but as so often seems to be the way with horticultural nomenclature, it’s undergone a name change, and is now a bit more of a mouthful).

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Sambucus nigra f. porphyrophylla ‘Eva’.

Now is the time of year to make elderflower cordial, a delicious and refreshing drink made from the blossoms. Here’s a recipe by Jane Hornby from the BBC Good Food website:

Elderflower cordial

Makes about 4 litres

Ingredients

20 fresh elderflower heads, stalks trimmed

2.5 kg granulated or caster sugar

2 lemons, unwaxed

85 g citric acid (available from chemists)

Put the sugar and 1.5 litres water into a very large saucepan – a jam pan is best. Gently heat until the sugar has dissolved, but do not allow to boil. Pare the zest from the lemons, then slice the lemons into rounds.

When the sugar has dissolved to make a syrup, bring it to the boil then remove from heat. Wash the elderflower blossoms to remove insects or dirt – a washing up bowl full of water will do the trick nicely. Shake the flowers dry gently and add to the syrup along with the citric acid, lemon zest and lemon slices. Stir well. Cover the jam pan and leave for 24 hours for all the flavours to infuse into the syrup.

Drain the syrup (now transformed into cordial) and flowerheads through a clean piece of muslin or tea towel lining a colander, which sits over another large container. Discard what’s left in the muslin and put the cordial into sterilised bottles (these can be sterilised by putting them through the dishwasher on its hottest setting, or by washing well with very hot soapy water, rinsing and leaving in a low oven to dry). The cordial is ready to drink. Serve by diluting to taste with water, soda water, tonic water or whatever you fancy. It will store for up to six weeks in the fridge. It can also be frozen (ice cube trays are great for individual portions) and used as needed.

Sunday stroll: Fontmell Down

Yesterday Chap and I headed off to the main part of Fontmell Down Nature Reserve, which is run by Dorset Wildlife Trust and situated about 5 km south of Shaftesbury in Dorset. Fontmell Down is a spur of chalk downland jutting out above the Blackmore Vale. The spur is bisected by two cross dykes, landscape features that are likely to date from the Middle Bronze Age. We visit this reserve often, but it is at its beautiful best this time of the year, we reckon. Click on all photos to embigggen/bigify.

The spur of Fontmell Down, part of the chalk downland above the Blackmore Vale in Dorset.

The spur of Fontmell Down, part of the chalk downland above the Blackmore Vale in Dorset. The northern cross dyke is clearly visible, just in front of the woodland on the spur. The southern one is obscured by the wood.

The orchids are out and within a few minutes of being on the reserve we’d seen five different species: bee, common spotted, fragrant, pyramidal and the greater butterfly orchid.

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Fragrant orchid (Gymnadenia conopsea).

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Greater butterfly orchid (Platanthera chlorantha).

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Common spotted orchid (Dactylorhiza fuchsii).

Viper’s bugloss (Echium vulgare) is such a pretty flower. It is a glorious blue, and beloved of moths and butterflies and bees. It doesn’t grow very high on the thin soil of the chalk downland, but I have seen it growing up to about 80 cm tall.

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Viper’s bugloss (Echium vulgare).

We also saw milkworts (Polygala sp.) in pink and in blue, and the wonderfully vibrant flowers of birdsfoot trefoil (Lotus corniculatus). We always called this ‘the eggs and bacon plant’ when we were kids, for obvious reasons!

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Birdsfoot trefoil (Lotus corniculatus).

There were also the enormous seedheads of goatsbeard (Tragopogon pratensis), like dandelion clocks on steroids. Goatsbeard flowers only open on sunny mornings, so the flower gained the charming folk name of Jack-go-to-bed-at-noon.

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Goatsbeard (Tragopogon pratensis).

It was a rather blustery day, so we didn’t see too many butterflies, but we did see some fritillaries and a rather tatty painted lady (Vanessa cardui), as well as various blues and skippers.

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A fritillary. I’m not very good on butterflies, but think this might be a dark green fritillary (Argynnis aglaja).

We also saw this chap – isn’t he wonderful? No idea what he is.

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Mystery beetle with the most dashing striped antennae.

The beautiful down has a deep coombe on its southern side, Longcombe Bottom, with ravens flying over, cronking their atmospheric calls

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Longcombe Bottom.

and there are stunning views to the south-west across the Blackmore Vale:

View looking south-east into Blackmore Vale, with the village of Fontmell Magna in the foreground of the vale.

View looking south-east into Blackmore Vale, with the village of Fontmell Magna in the foreground of the vale.

We also walked on down to a chalk pit hollow nearby, where there was the best show of orchids. Just common spotted and pyramidal, but so beautiful.

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The orchids in the chalk pit hollow: pyramidal orchids (Anacamptis pyramidalis) and common spotted orchids (Dactylorhiza fuchsii). Definitely click on this one to embiggen/bigify – it’s worth it, I promise!

A water pipeline has recently been built across the reserve, and it was interesting to see the different flowers that have popped up in the disturbed area: lots of oilseed rape and common poppies and thistles, whereas the undisturbed land was mainly cow parsley and nettles.

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The different flora marks the recent pipeline disturbance.

The northern cross dyke had more orchids than on the other parts of the down, because the ditch provides a sheltered microclimate.

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Looking north-westwards down the northern cross dyke, with Melbury Hill in the background.

A beautiful thistle. Not sure which kind, but what a gorgeous colour.

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A beautiful thistle on Fontmell Down Nature Reserve.

Another sun dog day

Yesterday evening Chap and I and our lovely neighbour T were sitting in the garden enjoying a glass of wine. The clouds were high, wispy cirrus ones, and the evening sun was wonderfully warm (we’ve been having quite a cold spell, so this was doubly welcome). I’d been commenting earlier to Chap how the conditions were similar to those on the day we’d seen a circumzenithal arc and sun dog last year … and sure enough, about half an hour later, there was a sun dog!

Sun dog

Sun dog to the left of the sun, together with the 22° halo. West of Salisbury, Wiltshire, 16 June 2015, 6.30 pm.

This time it was a left sun dog together with a 22° halo around the sun. Fantastic!

Mind you, it doesn’t quite match up to this amazing image, taken earlier this year in New Mexico, United States:

There are nine atmospheric optical phenomena in this amazing photo by Joshua Thomas. Taken  at Red River, New Mexico, USA on 9 January 2015.

There are nine separate atmospheric optical phenomena visible in this amazing photo by Joshua Thomas. Taken at Red River, New Mexico, USA on 9 January 2015.

And here’s an explanation of what you can see:

wow explanation

Philae has woken up!

Ah, this is great news. The European Space Agency‘s lander on (deep breath) Comet 67/P Churyumov-Gerasimenko has woken from its sleep. It landed on the surface of the comet last November, launched from the space probe Rosetta, but bounced on landing after its anchoring mechanisms failed, and ended up in a deeply-shaded ditch. As its solar panels didn’t then receive enough sunlight to generate power, it went into hibernation after sending back a small amount of information. However, the comet has since moved closer to the sun and is receiving more sunlight, and as the scientists had hoped, Philae has started working again and is able to send messages back to earth, via Rosetta, which is still orbiting the comet.

The surface of the comet photographed from Philae during its descent.

The surface of the comet photographed by Philae during its descent.

Yay! So exciting! Lots of fantastic science experiments to come. Drilling! Analysing! Hurrah!

Persian turquoise

Among all the jewellery types and styles that I sell and have sold in my Etsy shop, I unsurprisingly have some favourites. Scandinavian silver is at the top of the list, but jostling for position not far behind was Victorian and Edwardian Persian turquoise jewellery. Just look at these beauties!

Turquoise and pinkish red stone (garnet or ruby) and silver frog brooch, dating from the Edwardian period. For sale in my Etsy shop, Inglenookery: click on photo for details.

Austro-Hungarian brooch with seed pearls (some missing) and Persian truquoise, and a more modern dangle added. For sale in my Etsy shop: click on photo for details.

Austro-Hungarian brooch with seed pearls (some missing) and Persian turquoise, and a more modern dangle added. For sale in my Etsy shop: click on photo for details.

Turquoise has been mined in the region of the Ali-Mersai mountain near Neyshabur (Nishapur) in the Khorasan Province of north-eastern Iran for at least 4,000 years. Until the 20th century, Iran was known as Persia, but confusingly the bright blue and much-prized stone that came from Persia became known as ‘turquoise’ as it was imported to the west via Turkey, and was assumed to have originated there. Persian turquoise was highly prized by jewellers round the world as the best pieces come in a beautiful rich blue colour with no matrix, and the stone is harder than turquoises mined elsewhere in the world.

The tiny cabochons of Persian turquoise were particularly popular in the late Victorian and early Edwardian era, when they were used to make small brooches and lace pins in a variety of shapes. The ones pictured below are those I have sold in my shop: there are many other shapes and designs yet to be added!

Edwardian brooch. (NOW SOLD).

Edwardian Persian turquoise brooch. (NOW SOLD).

(NOW SOLD).

Edwardian Persian turquoise brooch. (NOW SOLD).

Turquoise brooch. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Pendant in 900 silver with Persian turquoise.

Pendant in 900 silver with Persian turquoise. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

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Edwardian Persian turquoise brooch. (NOW SOLD).

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Edwardian Persian turquoise brooch. (NOW SOLD).

Edwardian Persian turquoise brooch. For sale in my Etsy shop: click on photo for details.

Edwardian Persian turquoise brooch. (NOW SOLD).

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Turquoise oval brooch. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Tiny turquoise crescent brooch. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Persian turquoise crescent moon brooch. For sale in my Etsy shop: click on photo for details. #433.

Persian turquoise crescent moon brooch. (NOW SOLD).

Pavé late Victorian Persian turquoise and gold-tone mount brooch. (NOW SOLD).

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Persian turquoise pavé brooch with marcasites. (NOW SOLD).

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Tiny Late Victorian or Edwardian Persian turquoise pavé brooch. (NOW SOLD).

#385.

Late Victorian or Edwardian Persian turquoise pavé brooch. (NOW SOLD).

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Edwardian Persian turquoise bar brooch, hallmarked 1918. (NOW SOLD).

https://www.etsy.com/uk/transaction/1138972355

Edwardian Persian turquoise bar brooch in 800 silver. (NOW SOLD).

Persian turquoise bar brooch in 800 silver. For sale in my Etsy shop, Inglenookery: click on photo for details. (NOW SOLD).

Victoriian Persian turquoise dagger jabot brooch. For sale in my Etsy shop: click on photo for details. #290.

Victorian Persian turquoise dagger jabot brooch. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

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Victorian Persian turquoise fleur-de-lys brooch. (NOW SOLD).

Mother of pearl and Persian turquoise brooch. (NOW SOLD).

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Arts and Crafts blister pearl and Persian turquoise brooch. (NOW SOLD).

#300.

Victorian Etruscan Revival gold and Persian turquoise brooch. (NOW SOLD).

In the Victorian and Edwardian periods turquoise was a favourite gemstone. In the language of stones that was so popular then, turquoise represented a ‘pledge of love, a gift to the betrothed and an affirmation of feeling.’ Some of this jewellery was made with small, irregularly-shaped cabochons in a variety of colours ranging from light blue, the classic turquoise blue, through to greeny blue. Sometimes these turquoises were set in pavé style, which takes its name from the cobblestones of a street surface and their close-set appearance.

Turquoise is still mined in the Ali-Mersai mountain in north-eastern Iran. A fascinating photojournalism article about the mine, published in January 2010, can be read here. The conditions look very hard and probably haven’t changed too much over the millennia, and this makes me appreciate the stones even more.